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Fiori Musicali: Songs and Dances of the 16th and 17th centuries Ye'ela Avital (soprano)
Ensemble Mezzo, Gideon Brettler
CD
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Baroque! Baroque!
Elmar Oliveira (violin), Susann McDonald (harp), Robert Noehorn (organ), Arleen Auger (soprano), David Britton (organ), Celedonio Romero (guitar), Malcolm Hamilton (harpsichord), Robert Noehren (organ), Bejun Mehta (boy soprano), Gerard Schwarz (trumpet)
Los Angeles Chamber Orchestra, Yale...
CD
$13.50Downloads
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Café: Orient meets Occident Valer Barna-Sabadus (countertenor)
Pera Ensemble, Mehmet Cemal Yesilcay
CD
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Classical Chill
Over Two Hours Of Chilled Out Bliss
Stephanie McCallum (piano), Barbara Jane Gilby (violin), Alexandre Oguey (oboe), Helena Rathbone (violin), Aiko Goto (violin), Nicole Forsyth (viola), Daniel Yeadon (cello), Maxime Bibeau (double bass), Paul Stanhope (chamber organ), Jane Sheldon (soprano), Anna McDonald (violin), Diana Doherty (oboe),...
2 CDs
$16.00Downloads
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Yarlung Records: The First Seven Years
Ciaramella Ensemble, Janaki String Trio, Sasha Cooke (mezzo), Antonio Lysy (cello), Bryan Pezzone (piano), Joanne Pearce Martin (piano)
Colburn Orchestra, Smoke and Mirrors Percussion Ensemble, Yehuda Gilad
CD
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A piacere
Music for viola da gamba
Fahmi Alqhai (viola da gamba), Arcángel (voice), Pablo Martín (Caminero, violone & double bass), Pedro Estevan, Agustín Diassera (percussion), Juan Carlos Rivera (theorbo), Rami Alqhai (viola da gamba, violotto), Johanna Rose, Ignacio del Valle (violas da gamba)
Les pleurs, the baseline of gamba repertoire, is as accomplished a performance as you could expect, confirming Alqhai as a master of the instrument; but inasmuch as the gamba was never truly... — More…
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Purcell: Dido & Aeneas and Ode for St. Cecilia's Day
Carolyn Watkinson (contralto), George Mosley (bass), Michael Chance (alto), Pauline Tinsley (soprano), Ruth Holton (soprano), Nicola Jenkin (soprano), Elisabeth Priday (soprano), David Miller (guitar), Teresa Shaw (mezzo), Donna Deam (soprano), Shauna Beesley (soprano), Jonathan Peter Kenny (alto)
English...
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Selected by Bream himself, this excellent collection spans recordings from 1963-1991 and compositions from Sanz to Arnold, showcasing Bream's facility in many styles. — More…
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