SACD, Schoenberg (composer)
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Messiaen: Oiseaux Exotiques, Ravel: Piano Concerto in G Major, Schoenberg: Piano Concerto
RecommendedFrancesco Piemontesi, Orchestre de La Suisse Romande, Jonathan Nott
You have to envy the citizens of Geneva...Add a pianist in Francesco Piemontesi’s class, and here are stellar interpretations of three very different concerto-type works, ordered into a journey... — More…
Awards:
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Presto Recording of the Week, 8th July 2022
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BBC Music Magazine, September 2022, Concerto Choice
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International Classical Music Awards, 2023, Nominated - Concerto
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Presto Recordings of the Year, Winner 2022
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Schoenberg: Transfigured Night & Haydn: Cello Concertos Nos. 1 & 2
RecommendedAlisa Weilerstein (cello)
Trondheim Soloists
In performances of such freshness, verve and chamber transparency, the concept works...You’d go far to find performances of the Haydn concertos that match Alisa Weilerstein’s mix of stylistic... — More…
Awards:
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Presto Recording of the Week, 10th August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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Debussy: Pelléas et Mélisande Suite & Schoenberg: Pelléas & Mélisande
RecommendedOrchestre de La Suisse Romande, Jonathan Nott
Nott’s orchestral suite arranged from Debussy’s opera is both substantial and imaginatively devised... it is played here with a consistent loveliness that absorbs and appeals in its own right. — More…
Awards:
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Presto Recordings of the Year, Finalist 2021
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Presto Recording of the Week, 26th November 2021
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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The Gringolts Quartet play both works with absolute mastery, and it would be difficult to imagine more convincing performances. Lingering particularly in the memory is the middle section of the... — More…
Awards:
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BBC Music Magazine, July 2022, Chamber Choice
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Gramophone Awards, 2023, Finalist - Chamber
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I am happy to report that it more than fulfils the highest expectations...This very distinguished recording should not be missed by anyone interested in fine piano-playing and heartfelt poetic... — More…
Awards:
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Gramophone Magazine, August 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Solo Instrument
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Verklärte Nacht RecommendedSchoenberg - Fried - Lehár - Korngold
Christine Rice (mezzo), Stuart Skelton (tenor), BBC Symphony Orchestra, Edward Gardner
Across the programme Edward Gardner is preternaturally attentive, nailing the volatile blend of schmaltz and suffering that underpins the Lehár; and cloaking the moonbathing opening of the Fried... — More…
Awards:
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Presto Recording of the Week, 1st January 2021
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Schoenberg: Gurrelieder
RecommendedStig Andersen (Waldemar), Andreas Conrad (Klaus-Narr), Soile Isokoski (Tove), Monica Groop (Waldtaube), Ralf Lukas (Bauer) & Barbara Sukowa (Sprecher)
Philharmonia Voices, City of Birmingham Symphony Chorus & The Philharmonia Orchestra, Esa-Pekka Salonen
…exciting, lucid, wonderfully well-proportioned, and recorded in stunning sound the final hymn to the rising sun would lift the most morbidly lethargist out of their chair. — More…
Awards:
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Building a Library, March 2017, Also Recommended
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Schoenberg: Gurrelieder RecommendedAlwyn Mellor (soprano), Anna Larsson (mezzo-soprano), Stuart Skelton (tenor), Wolfgang Ablinger-Sperrhacke (tenor), James Creswell (bass) & Sir Thomas Allen (speaker)
Bergen Philharmonic Orchestra & Choir, Edward Gardner
The hero is Edward Gardner, under whose wonderfully flexible beat this hyper-Romantic music positively breathes in long lyrical phrases and paragraphs. Nor are the excitements lacking: the coda... — More…
Awards:
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Building a Library, March 2017, Also Recommended
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Gramophone Magazine, October 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Schoenberg: Gurre-Lieder & Roussel: Symphony No. 3
Marita Napper (Tove), Jess Thomas (Waldemar), Yvonne Minton (Waldtaube), Kenneth Bowen (Klaus), Siegmund Nimsgern (Bauer), Gunther Reich (Speaker)
BBC Singers, BBC Choral Society, Goldsmith's Choral Union, London Philharmonic Choir, BBC Symphony Orchestra, New York Philharmonic, Pierre Boulez
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The Second Quartet’s yearning first movement and the desperate scutterings of its scherzo are conveyed in febrile, hyper-Romantic style…Yet the Gringolt’s precision and finesse in the Fourth... — More…
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