SACD, Mahler (composer)

Vänskä sees to it that his ever-waxing Minnesota Orchestra is ideally engaged with the various heights and depths...Limpid and lurid woodwind playing shines out, from the ghoulish clarinets... — BBC Music Magazine, April 2021, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

…Fischer's feeling of the Symphony's supple architecture, his ability to caress a phrase or point out a delicious colour without losing the sense of the larger flow, make this one of the most... — BBC Music Magazine, April 2009, 5 out of 5 stars More…

[Connolly] makes the perfect case for pulling the lustrous stops out at each death-transcending release in the ‘Farewell’; Mahler may mark the dynamics at a lower level, but the emotion is irresistible.... — BBC Music Magazine, November 2020, 5 out of 5 stars More…

Rhythmically very taut, clean and just a little unusual…The conductor holds focus in what can sometimes be a turgid sequel to the opening funeral march; the scherzo flies…And the finale is just... — BBC Music Magazine, November 2017, 4 out of 5 stars More…

…Fischer… rarely pushes too hard. The orchestral sound is lean but not undernourished, allowing for even balance between contesting lines - outstanding in the funereal coda of the first movement... — BBC Music Magazine, October 2006, 4 out of 5 stars More…

The emphasis here is on beautifully judged line and flow, allowing the music's expressive extremes to speak for themselves without any need for exaggeration…This is one of those special listening... — BBC Music Magazine, July 2023, 5 out of 5 stars More…

A mezzo can bring so many colours to the expression, and in that respect Alice Coote matches the previously unsurpassable challenge of Janet Baker with Barbirolli. There’s even a plus: the height,... — BBC Music Magazine, November 2017, 5 out of 5 stars More…