Contents
- Contents
- Preface and Acknowledgments
- Editorial Conventions and Abbreviations
- Introduction
- Part 1. Estro armonico
- 1. Vivaldi's "Harmony" and the Paradox of Historical Recognition
- 2. Theory of Tonal Organization in Eighteenth-Century Italy
- Part 2. Key and Mode
- 3. Tonality and Key Characteristics
- 4. Modal Implications in Tonal Organization
- 5. The Interaction of Major and Minor Modes
- 6. Functioning of Tonality in Large-Scale Composition
- Part 3. Harmony and Syntax
- 7. Lament Bass
- 8. Sequence
- 9. Pedal Point
- 10. Cadence
- Part 4. Tonal Structure
- 11. General Premises
- 12. Functioning of Harmonic Degrees in Tonal Structure
- 13. Tonal Structure and the Choice of Tonality
- 14. Tonal Structure in Cyclic Compositions
- Conclusion
- Notes
- Bibliography
- Index