CD, Dowland (composer)

The range of repertoire enables her to explore a wide breadth of moods and atmospheres. Dancelike pieces… contain by-now trademark Gillam-isms – lively characterisation combined with technical... — Gramophone Magazine, June 2019 More…

Grainger's eclectic idiosyncratic piano transcriptions, despatched with light-fingered clarity. Strauss swoons, Stephen Foster's all of a tingle. Excellent notes, too. — BBC Music Magazine, December 2011, 4 out of 5 stars More…

Martin Jones is a superb advocate for this rich kaleidoscope. His playing is delightfully exuberant and he is able to reach both the thunderous heights of power demanded by the Tchaikovsky concerto... — BBC Music Magazine More…

All of the song transcriptions are beautifully rendered. Errera fully embraces her role as a surrogate vocalist in this repertoire, lavishing a rich and lovely tone, and elegant phrasing, upon... — Fanfare, Jan/Feb 2023 More…

It’s all nicely played, but perhaps the best way to appreciate this album’s merits is by way of a track here and there, rather than as an end-to-end listen. — Gramophone Magazine, November 2018 More…

The guitar’s intimate sound seduces the listener from the start. The rasp of fingers on strings and frets is so close, it’s as though the listener is leaning against guitarist Ferenc Snétberger’s... — BBC Music Magazine, April 2021, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

This is not quite a complete lexicon (there are no ‘mad songs’ for example) but it offers a worthy platform for the acclaimed musical and dramatic skills of Randall Scotting and Stephen Stubbs. — BBC Music Magazine, March 2023, 4 out of 5 stars More…