Hi Res Download, Deutsche Grammophon (label)
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New. Freezing
Emily D'Angelo (mezzo), Sophia Muñoz (piano), Bruno Helstroffer (guitar), Jonas Niederstadt (bass, synthesizer), Fridolin Blumer (double bass)
The most striking moments on ‘Freezing’ belong to those songs which fit neatly into neither the folk nor the classical mould. Magical weblike melodies are woven throughout Cecilia Livingston’s... — More…
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Patricia Petibon: Nouveau Monde
Baroque Arias & Songs
Patricia Petibon (soprano)
La Cetra Baroque Orchestra, Andrea Marcon
Conquest is one theme, confession another; the whole a breakneck A-Z of Baroque song from airs de cours to zarzuela. — More…
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Albrecht Mayer & The King's Singers: Let It Snow
RecommendedAlbrecht Mayer (oboe)
The King’s Singers
More cheese than a Wensleydale-and-cranberry sandwich, then, but it’s all done with bags of panache and good humour – the perfect tree-dressing or present-wrapping soundtrack. — More…
Awards:
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Presto Recording of the Week, 9th December 2013
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Music of the Spheres
Iestyn Davies (countertenor), Pekka Kuusisto (violin), Sam Swallow (vocalist)
Aurora Orchestra, Nicholas Collon
Adès's appropriately stratospheric writing is despatched with fearless aplomb by Pekka Kuusisto. The main attractions, though, are an electric Jupiter Symphony (played from memory, and it shows... — More…
Awards:
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Presto Editor's Choice, June 2020
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Veni Domine
RecommendedAdvent & Christmas from the Sistine Chapel
Cecilia Bartoli (mezzo)
Sistine Chapel Choir, Massimo Palombella
Everything here is sung with extreme subtlety and a delicacy which rather confounded my expectations. Palombella (who, like all his predecessors in the role, is ordained in Holy Orders) clearly... — More…
Awards:
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Presto Recording of the Week, 1st December 2017
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New. Frohe Weihnachten!
Anna Prohaska (soprano), Jia Lim (piano, organ), Reinhard Kammler (chorus master, organ), Stefan Maass (organ, lute), Daniel Hope (violin), Albrecht Mayer (oboe)
Adoro, Augsburger Domsingknaben, Deutsches Kammerorchester Berlin, Reinhard Kammler
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In [the Ave Maria] they also use falsettist countertenors, whose tone noticeably lightens the overall texture and helps to find a more intimate quality. This result is fascinating: the sheer... — More…
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New. 100 Great Musical Moments
Daniel Barenboim (piano), Seong-Jin Cho (piano), Yuja Wang (piano), Rafał Blechacz (piano), Kian Soltani (cello), Aaron Pilsan (piano), Albrecht Mayer (oboe, oboe d amore), Kimiko Imani (piano), Camille Thomas (cello), Alexandre Bloch (piano), Bomsori (violin), Elisabeth Brauß (piano), Fabian Müller...
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Winter Tales
Roger Eno (background vocalist, piano, synthesizer, organ, harmonium), Brian Eno (background vocalist), Peter Gregson (cello), Daniel Pioro (violin), Grace Davidson (soprano), Clara Sanabras (alto), Hannah Cooke (alto), Víkingur Ólafsson (piano), Hania Rani (piano, synthesizer), Dobrawa Czocher (cello),...
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Elīna Garanča: Meditation
Elina Garanča (mezzo-soprano)
Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon
The sustained line in the 'Laudate Dominum' by Mozart is amazing, especially given the sedate pace, and her intonation is flawless throoughout...If this collection of titles seems like a bit... — More…
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