Instrumental, Piano Solos, Beach, A (composer)

[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite. — BBC Music Magazine, September 2021, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

an intelligently curated recital with song at the centre. It begins with Romances by Clara and Robert Schumann back to back, both showcasing the warmth and evenness of Ioudenitch’s sonority in... — Gramophone Magazine, July 2023 More…

Genova and Dimitrov, who have devoted themselves to their duo since their student days, perform this technically demanding and richly imagined music with enormous affection and flair, conjuring... — BBC Music Magazine, March 2022, 4 out of 5 stars More…

Forsberg has long been a master programme planner...This is no exception...With a recording as fine as the pianism, this is a terrific disc, heartily recommended. — Gramophone Magazine, June 2016 More…

In this excellent account of well-chosen works, composed across some 40 years, the Italian pianist Martina Frezzotti is a superb advocate, never stinting on demonstrating the virtuosity Beach... — BBC Music Magazine, February 2024, 4 out of 5 stars More…

There’s no forgetting Oyarzabal’s enthralling performance, or indeed his sublime programme of piano works by women composers from Fanny Mendelssohn to Ruth Crawford Seeger. What a treat. — BBC Music Magazine, June 2021, 5 out of 5 stars More…

With their eerie, amplified piano sound-world and extended piano techniques, [the Crumb pieces] offer snapshots of inky nocturnal strangeness…Licard plays everything with commitment and sensitivity. — BBC Music Magazine, Christmas 2017, 4 out of 5 stars More…