Name: The Queen's Masque
Price: 19.5 USD
Availability: InStock

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Release Date: 22nd Mar 2024
Catalogue No: COV92309
Label: Coviello
Length: 60 minutes

In stock

Usually despatched within 1 working day

Parsons, R: De la Court

Work length6:00

$1.05

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Ziv Braha (soloist)
ensemble feuervogel

Bennet: Eliza, her name gives honour

Work length1:49

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Carine Tinney (vocalist)
ensemble feuervogel

Norcome: With angel's face and brightness

Work length2:22

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Carine Tinney (vocalist), Ziv Braha (soloist)
ensemble feuervogel

Philips, P: Pavan, Galliard

Work length3:09

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Ziv Braha (soloist)
ensemble feuervogel

trad.: Galliard

Work length1:22

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Ziv Braha (soloist)
ensemble feuervogel

Daniel Bachiler: Daniel's Almain

Work length1:41

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Ziv Braha (soloist)
ensemble feuervogel

Morley: The Frog Galliard

Work length1:48

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Ziv Braha (soloist)
ensemble feuervogel

Hilton: Fair Oriana, beauty's Queen

Work length2:27

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Carine Tinney (vocalist)
ensemble feuervogel

Weelkes: Hark I hear

Work length1:15

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Carine Tinney (vocalist)
ensemble feuervogel

Nicholson, R: Jews Dance

Work length2:05

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Ziv Braha (soloist)
ensemble feuervogel

Byrd: The fair young virgin

Work length3:21

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Carine Tinney (vocalist)
ensemble feuervogel

ensemble feuervogel, Traditional: The kyngs pawvyon

Work length1:36

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Ziv Braha (soloist)
ensemble feuervogel

ensemble feuervogel, John Wilbye: Lady, when I behold

Work length2:27

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Carine Tinney (vocalist), Ziv Braha (soloist)
ensemble feuervogel

Dowland: My Thoughts Are Wing'd With Hopes

Work length3:08

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Carine Tinney (vocalist), Ziv Braha (soloist)
ensemble feuervogel

Morley: Hard by a crystal fountain

Work length3:25

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Carine Tinney (vocalist), Ziv Braha (soloist)
ensemble feuervogel

Dering: Pavan

Work length3:21

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ensemble feuervogel

trad.: Gallyard

Work length1:09

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ensemble feuervogel

Morley: La Coranto

Work length1:18

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ensemble feuervogel

Ashton, H: Hugh Ashton’s Maske

Work length4:25

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Ziv Braha (soloist)
ensemble feuervogel

Mundy, J: Were I a king

Work length2:41

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Carine Tinney (vocalist)
ensemble feuervogel

trad.: Pavana

Work length1:11

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Ziv Braha (soloist)
ensemble feuervogel

trad.: Gallyard

Work length0:36

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Ziv Braha (soloist)
ensemble feuervogel

ensemble feuervogel, William Byrd: My Lord of Oxenfords Maske

Work length2:07

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Ziv Braha (soloist)
ensemble feuervogel

Ziv Braha, William Byrd: Mounsiers Almaine

Work length1:00

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Ziv Braha (soloist)
ensemble feuervogel

ensemble feuervogel, Thomas Morley: The Lord Souches Maske

Work length1:14

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Ziv Braha (soloist)
ensemble feuervogel

trad.: My mind to me a kingdom is

Work length1:24

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Ziv Braha (soloist), Carine Tinney (vocalist)
ensemble feuervogel

Johnson, E: Eliza is the fairest Queen

Work length1:47

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Carine Tinney (vocalist), Ziv Braha (soloist)
ensemble feuervogel

About
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About

Fairy figure, minstrel or Blessed Virgin? Elizabeth I used all these role models as if in a masquerade to legitimize her position as monarch.

Female rulers were not actually envisaged in the structures of the 16th century. They contradicted the passive, obedient and silent image of women of the time. With masque music by Byrd, Dowland, Morley, Parsons and others, ensemble feuervogel looks behind these royal masks, breaks through courtly facades and explores how the problem of role models was solved under Elizabeth I.

ensemble feuervogel says of this recording:

In our new program 'The Queen's Masque - Metamorphoses of Power,' we focus on the music of the second half of the 16th century. During this time, the English masque held significant societal and political significance and flourished at the court of Queen Elizabeth I. In essence, the masque was a grand celebration featuring not only music and dance but also satirical plays, pantomime, and masquerade. An integral part of it was the so-called 'Antimasque,' portraying wild, animalistic, and uncouth elements as a counterpart to the ordered world. A plethora of the beautifully transmitted repertoire focuses on the Queen herself.

On our CD, we particularly shed light on Elizabeth I, who, as a woman in a position of power, was both admired and criticized. We aim to explore the significance of societal roles, which are now critically questioned, through our music.

In the words of John Bennet:

"Her name all bliss, with voice demiss I sing adoring, Humbly imploring that my rude voice may please her sacred ears, whose skill deserves the music of the spheres"

The Queen's Masque

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