Name: Riccardo Zandonai: Francesca da Rimini
Price: 24.2 USD
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The piece can certainly boast a fascinating score that reveals the composer’s extraordinary technical skills, with their combination of opulence and refined sensuality influenced by Debussy... — BBC Music Magazine, April 2022, 5 out of 5 stars More…

Release Date: 11th Feb 2022
Catalogue No: NBD0142V
Label: Naxos

Gramophone Awards

2022

Shortlisted - Opera
International Classical Music Awards

2023

Nominated - Video: Opera
Presto Recordings of the Year

Winner 2022

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Gramophone Magazine

Critics' Choice 2022

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Zandonai: Francesca da Rimini

Sara Jakubiak (soprano), Jonathan Tetelman (tenor), Ivan Inverardi, Charles Workman (Malatestino dall’Occhio), Deutsche Oper Berlin (opera company)
Carlo Rizzi

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Riccardo Zandonai’s Francesca da Rimini is a four-act opera set during the Renaissance period. The plot concerns an arranged marriage between Francesca and Giovanni, also known as Gianciotto, who is impersonated by his handsome brother Paolo, and with whom Francesca falls passionately in love. Sometimes referred to as the ‘Italian Tristan’, the opera ends in betrayal and a double murder. The production of this rarely performed opera from the Deutsche Oper Berlin proved to be a huge critical success.

Reviews

April 2022

The piece can certainly boast a fascinating score that reveals the composer’s extraordinary technical skills, with their combination of opulence and refined sensuality influenced by Debussy and Richard Strauss; here it finds an ideal interpreter in the shape of conductor Carlo Rizzi.

April 2022

The piece can certainly boast a fascinating score that reveals the composer’s extraordinary technical skills, with their combination of opulence and refined sensuality influenced by Debussy and Richard Strauss; here it finds an ideal interpreter in the shape of conductor Carlo Rizzi.

May 2022

The whole thing is, I think, a great achievement. Do watch it.

November 2022

Jakubiak is a true stage animal…The voice, though of a more Nordic quality than one normally hears in this repertoire, has no problems coping with Francesca’s wideranging vocal extremes...[Tetelman's] strong voice, natural poise, impassioned delivery and sensitive dynamic shadings make him ideal in the part.

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