Chopin Studies 2

Contents

• Preface
• 1. Chopin reception: theory, history, analysis Jim Samson
• 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt
• 3. Chopin as modernist in nineteenth-century Russia Anne Swartz
• 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg
• 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger
• 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb
• 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger
• 8. Ambiguity and reinterpretation in Chopin Edward T. Cone
• 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter
• 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer
• 11. Chopin's tempo rubato in context David Rowland
• 12. Authentic Chopin: history, analysis and intuition in performance John Rink
• Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847-8 Jeremy Barlow
• Index.