Communication in Eighteenth-Century Music

Contents

• Foreword Danuta Mirka;
• Part I . Communication and the Market:
• 1. Communication and verisimilitude in the eighteenth century Paul Cobley;
• 2. Listening to listeners Mark Evan Bonds;
• 3. 'Mannichfaltige abweichungen von der gewoehnlichen sonaten-form': Beethoven's 'Piano-Solo' op. 31 no. 1 and the challenge of communication Claudia Maurer Zenck;
• Part II . Musical Grammar:
• 4. Metre, phrase structure and manipulations of musical beginnings Danuta Mirka;
• 5. National metrical types in music of the eighteenth and early nineteenth centuries William Rothstein;
• 6. Schoenberg's 'Second Melody', or, 'Meyer-ed' in the bass William E. Caplin;
• Part III . Rhetorical Form and Topical Decorum:
• 7. A metaphoric model of sonata form: two expositions by Mozart Michael Spitzer;
• 8. Beethoven's op. 18 no. 3, First Movement: two readings, with a comment on analysis Kofi Agawu;
• 9. K331, First Movement: once more, with feeling Wye J. Allanbrook;
• 10. Dance topoi, sonic analogs and musical grammar: communicating with music in the eighteenth century Lawrence Zbikowski; Afterword Kofi Agawu.