Music in Medieval and Early Modern Europe

Contents

• Part I . Church Patronage of Music in Fifteenth-century Europe; 1 Obligation, agency and laissez-faire: the promotion of polyphonic composition for the Church in fifteenth-century England Roger Bowers;
• 2. Church patronage of music in fifteenth-century Italy Giulio Cattin;
• 3. Antoine Brumel and patronage in Paris Craig Wright;
• Part II . Sixteenth-century Instrumental Music;
• 4. Notes (and transposing notes) on the viol in the early sixteenth century Howard Mayer Brown;
• 5. Songs without words by Josquin and his contemporaries Warwick Edwards;
• 6. Instrumental music, songs and verse from sixteenth-century Winchester: British Library Additional MS 60577 Iain Fenlon;
• 7. On Italian instrumental ensemble music in the late fifteenth century Louise Litterick;
• 8. Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish chanson, O waerde mont H. Colin Slim;
• Part III . Music and Patronage in Italy 1450-1550:
• 9. The early madrigal: a re-appraisal of its sources and its character James Haar;
• 10. Music at the Venetian Scuole Grandi, 1440-1540 Jonathan Glixon;
• 11. Antonio Gardane's early connections with the Willaert circle Mary S. Lewis;
• 12. Strategies of music patronage in the fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood;
• Part IV . Stemmatics and Music Sources:
• 13. Conflicting attributions in Italian sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress report on a new hypothesis Allan W. Atlas;
• 14. Some criteria for establishing relationships between sources of late-medieval polyphony Margaret Bent;
• 15. Limitations and extensions of filiation technique Stanley Boorman;
• 16. The transmission of medieval chant Alejandro Enrique Planchart;
• 17. The problem of chronology in the transmission of organum duplum Edward H. Roesner.