Schenker Studies

Contents

• Preface;
• Part I . Historical Studies:
• 1. Introduction;
• 2. Schenkerian theory and manuscript studies: modes of interaction John Rothgeb;
• 3. A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein Hedi Siegel;
• 4. Music and morphology: Goethe's influence on Schenker's thought William Pastille;
• 5. Schenkerian theory and the analysis of Renaissance music David Stern;
• 6. Foreground, middleground and background: their significance in the history of tonality Saul Novack;
• Part II . Analytical Studies:
• 7. Introduction;
• 8. Dual-key movements David Loeb;
• 9. J. S. Bach's 'binary' dance movements: form and voice leading Larry Laskowski;
• 10. Aspects of the Neapolitan sixth chord in Mozart's music Roger Kamien;
• 11. Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491 Eric Wen;
• 12. Schenker and chromatic tonicisation: a reappraisal Patrick McCreless;
• 13. Departures from the norm in two songs from Schumann's Charles Burkhart;
• 14. Either/or Carl Schachter;
• Part III . Schenker Studies Today:
• 15. Introduction;
• 16. Schenkerian theory in Great Britain: developments and responses Jonathan Dunsby and John Rink;
• 17. The Americanisation of Heinrich Schenker William Rothstein; Index.