Engaging Haydn

Contents

• Introduction Mary Hunter and Richard Will;
• Part I . Cultures of Vocal Music:
• 1. Fantasy island: Haydn's metastasian 'Reform' opera Elaine Sisman;
• 2. Haydn invents Scotland Richard Will;
• 3. Haydn's English canzonettas in their local context Katalin Komlos;
• 4. Revolution, rebirth and the sublime in Haydn's L'anima del filosofo and The Creation Caryl Clark;
• 5. 'Achieved is the glorious work': the creation and the choral work concept Nicholas Mathew;
• Part II . Analytical Readings and Rereadings:
• 6. Imagination, continuity, and form in the first movements of Haydn's Opus 77 Quartets Lewis Lockwood;
• 7. Does Haydn have a 'C-minor mood'? Jessica Waldoff;
• 8. Form, rhetoric, and the reception of Haydn's Rondo Finales Michelle Fillion;
• 9. Haydn and the Metamorphoses of Ovid Pierpaolo Polzonetti;
• 10. Credo ut intelligam: Haydn's reading of the Credo text Tom Beghin;
• Part III . Performance:
• 11. Haydn's string quartet fingerings: communications to performer and audience Mary Hunter;
• 12. Haydn's orchestras and his orchestration to 1779, with an excursus on the times of day symphonies Neal Zaslaw; Bibliography.