Music and Ideology
- Author: Carroll, Mark
Book
$131.00Printed on demand
Contents
- Contents: Introduction
- Music and ideology: Rameau, Rousseau, and 1789, Charles B. Paul
- The French musical theater: maintaining control in Caribbean colonies in the 18th-century, David M. Powers
- Mozart and Freemasonry, Katharine Thomson
- Beethoven's political music, the Handelian sublime, and the aesthetics of prostration, Nicholas Mathew
- Deconstructing a 'national composer': Chopin and Polish exiles in Paris, 1831-49, Jolanta T. Pekacz
- On Ruslan and Russianness, Marina Frolova-Walker
- Music in Paris during the Franco-Prussian war and the Commune, Jess Tyre
- The old lie, Glenn Watkins
- The composer as intellectual: ideological inscriptions in French interwar neoclassicism, Jane F. Fulcher
- The distorted sublime: music and National Socialist ideology - a sketch, Reinhold Brinkmann
- What is 'Nazi music'?, Pamela M. Potter
- Public lies and unspeakable truth interpreting Shostakovich's 5th symphony, Richard Taruskin
- Beyond the folk song: or, what was Hungarian Socialist Realist music?, Danielle Fosler-Lussier
- Ike gets Dizzy, Penny M. Von Eschen
- Born under a bad sign, Robin Denselow
- Rock and the politics of memory, Simon Frith
- Appropriating the master's tools: Sun Ra, the Black Panthers and Black consciousness, 1952-1973, Daniel Kreiss
- Music under Mao, its background and aftermath, Mao Yu Run
- Power, authority and music in the cultures of Inner Asia, Jean During
- As Plato duly warned: music, politics and social change in coastal East Africa, Kelly M. Askew
- African music, ideology and utopia, Nick Nesbitt
- Brechtian hip-hop: didactics and self-production in post-Gangsta political mixtapes, George Ciccariello Maher
- Political music and the politics of music, Lydia Goehr
- Name index.