Composed Theatre: Aesthetics, Practices, Processes
- Editor: Rebstock, Matthias
- Editor: Roesner, David
Book
$54.00Out of stock at the UK distributor
Contents
- Introduction: Composed Theatre in Context - David Roesner
- PART I: History and Methodology
- Chapter 1: Composed Theatre: Mapping the Field - Matthias Rebstock
- Chapter 2: Composition and Theatre - Roland Quitt
- Chapter 3: 'Happy New Ears': Creating Hearing and the Hearable - Petra Maria Meyer
- PART II: Processes and Practices: Work Reports and Reflections
- Chapter 4: 'It's all part of one concern': A 'Keynote' to Composition as Staging - Heiner Goebbels
- Chapter 5: ' Theatre in small quantities': On Composition for Speech, Sounds and Objects - Michael Hirsch
- Chapter 6: ... To Gather Together What Exists in a Dispersed State ... - Joerg Laue
- Chapter 7: From Interdisciplinary Improvisation to Integrative Composition: Working Processes at the Theater der Klange - Joerg U. Lensing
- Chapter 8: ' Let's stop talking about it and just do it!': Improvisation as the Beginning of the Compositional Process - George Rodosthenous
- Chapter 9: Hearing Voices - Transcriptions of the Phonogram of a Schizophrenic: Music-theatre for Performer and Audio-visual Media - Nicholas Till
- Chapter 10: Composing Theatre on a Diagonal: Metaxi ALogon, a Music-centric Performance - Demetris Zavros
- PART III: Processes and Practices: Portraits and Analyses
- Chapter 11: 'Ca devient du theatre, mais ca vient de la musique': The Music Theatre of Georges Aperghis - Matthias Rebstock
- Chapter 12: Musical Conquest and Settlement: On Ruedi Hausermann's Theatre Work(s) - Judith Gerstenberg
- Chapter 13: Composing with Raw Materials: Daniel Ott's Music-theatre Portraits and Landscapes - Christa Bru stle
- Chapter 14: Permanent Quest: The Processional Theatre of Manos Tsangaris - Joern Peter Hiekel
- PART IV: Discussion and Debate
- Chapter 15: Composed Theatre - Discussion and Debate: On Terminology, Planning and Intuition, Concepts and Processes, Self-reflexivity and Communication - Edited by Matthias Rebstock and David Roesner
- PART V: Discourse and Analysis
- Chapter 16: ' It is not about labelling, it's about understanding what we do': Composed Theatre as Discourse - David Roesner