Music and Culture in the Middle Ages and Beyond
Liturgy, Sources, Symbolism
- Editor: Brand, Benjamin
- Editor: Rothenberg, David
Book
$157.25Printed on demand
Contents
- Introduction Benjamin Brand and David J. Rothenberg;
- 1. Music and liturgy in medieval Capua Thomas Forrest Kelly;
- 2. Theory meets practice: the model antiphon series Primum quaerite in Hucbald's Office In plateis and in other post-Carolingian chant Barbara Haggh-Huglo;
- 3. Singing from the pulpit: polyphonic improvisation and public ritual in medieval Tuscany Benjamin Brand;
- 4. Liturgy and politics in Renaissance Florence: the creation of the 1526 Office for St Zenobius Marica S. Tacconi;
- 5. Music and pageantry in the formation of Hispano-Christian identity: the Feast of St Hippolytus in sixteenth-century Mexico City Lorenza Candelaria;
- Part II . Archival and Source Studies:
- 6. The sources and the sanctorale: dating by the decade in thirteenth-century Paris Rebecca A. Baltzer;
- 7. Vernacular contexts for the monophonic motet: notes from a new source Mark Everist;
- 8. Tradition and innovation in fourteenth-century instrumental music: evidence from archival and musical sources Keith Polk;
- 9. Melchior or Marchion de Civilibus, prepositus brixiensis: new documents Margaret Bent;
- 10. Papal musicians at Cambrai in the early fifteenth century Alejandro Enrique Planchart;
- 11. Sixtus IV, the Franciscans, and the beginning of music printing in fifteenth-century Rome Jane A. Bernstein;
- Part III . Symbolism:
- 12. The gate that carries Christ: wordplay and liturgical imagery in a motet from c.1300 David J. Rothenberg;
- 13. A musical lesson for a king from the Roman de Fauvel Anne Walters Robertson;
- 14. Preaching to the choir? Obrecht's Motet for the Dedication of the Church M. Jennifer Bloxam;
- 15. The Madonna triptych: a mystical reading of three early music videos Andrew Tomasello.