Shakespeare, Music and Performance

Contents

• Introduction David Lindley and Bill Barclay;
• 1. Theatre bands and their music in Shakespeare's London William Lyons;
• 2. The many performance spaces for music at Jacobean indoor playhouses Simon Smith;
• 3. In practice I. Original practices and historical music in the Globe's London and Broadway productions of Twelfth Night and Richard III Claire van Kampen;
• 4. Ophelia's songspace: elite female musical performance and propriety on the Elizabethan and Jacobean stage Paul L. Faber;
• 5. Jangling bells inside and outside the playhouse Katherine Hunt;
• 6. Music, its histories, and Shakespearean (inter-)theatricality in Beaumont's Knight of the Burning Pestle Linda Phyllis Austern;
• 7. Changing musical practices in the Shakespearean playhouse, 1620-42 Lucy Munro;
• 8. In practice II. Adapting a Restoration adaptation: The Tempest, or the Enchanted Island Elizabeth Kenny;
• 9. The reception and re-use of Thomas Arne's Shakespeare songs of 1740/1 John Cunningham;
• 10. Processing with Shakespeare on the eighteenth-century London stage Michael Burden;
• 11. The music for Henry V in Victorian productions by Kean and Calvert Val Brodie;
• 12. In practice III. Listening to the pictures: an interview with composer Stephen Warbeck Bill Barclay;
• 13. Film, music and Shakespeare: Walton and Shostakovich Peter Holland;
• 14. Music in contemporary Shakespearean cinema Ramona Wray;
• 15. The politics of popular music in contemporary Shakespearean performance Adam Hansen;
• 16. In practice IV. 'Sounds like': making music on Shakespeare's stage today Jon Trenchard and Carol Chillington Rutter;
• 17. Music in the 2012 Globe-to-Globe Festival Bill Barclay; Index.