Experimental Encounters in Music and Beyond

Contents

• Faces, Spaces, and Traces: A Prelude to Experimental Encounters Kathleen Coessens
• PART ONE: CONTRASTING FACES Kathleen Coessens
• Down With the Experiment! Long Live the Process! or, Dance Doesn’t Exist Efva Lilja
• The Art of Risk Taking: Experimentation, Invention, and Discovery Chaya Czernowin
• PART TWO: CHALLENGING MATERIAL SPACES Kathleen Coessens
• Thingification of Compositional Process: The Emergence and Autonomy of Extramusical Objects in Western Art Music Svetlana Maraš
• Roll Over Czerny Frederik Croene
• Austerity Measures and Rich Rewards David Gorton and Christopher Redgate
• Cooperation and Collaboration between Interpreter and Composer in Electroacoustic Music Sebastian Berweck
• Trans-form: Sketches, Experiments, and Concepts in Artistic Creation Jan C. Schacher
• PART THREE: EXPERIMENTAL DIALOGUES WITH TRACES Kathleen Coessens
• Rational Spaces: The String Quartets of Ben Johnston as Experimental Process Bob Gilmore
• The Need for Artistic Experimentation When Preparing Organum Duplum for Performance Léonin and Pérotin and Twelfth- and Thirteenth-Century Polyphony from L’Ecole de Notre Dame Penelope Turner
• “Association”: A Way of Artistic Experimentation That Can Expand Interpretation Possibilities Valentin Gloor
• PART FOUR: NEGOTIATING EXPERIMENTAL(LY) SPACES AND FACES Kathleen Coessens
• From Experimentation to Construction Richard Barrett Exper -iment, Exper -ience, Exper -tise: Practice-as-Research in Jazz Performance Steve Tromans
• Improvisation as Experimentation in Everyday Life and Beyond Anne Douglas and Kathleen Coessens
• Composition as Improvisation/Improvisation as Composition David Horne and Melinda Maxwell
• The Kunstorchester Kwaggawerk Project: An Original Cultural Education Programme Reto Stadelmann
• An Afterthought to Experimental Encounters Kathleen Coessens