Eastern European Popular Music in a Transnational Context: Beyond the Borders

Contents

• 1.  
• Introduction Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Győri.-
• Part 1 : Bringing Foreign Music to the European East.-
• 2.  Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik.-
• 3.  Quiet Fanaticism: The Phenomenon of Leonard Cohen’s Popularity in Poland, Ewa Mazierska and Xawery Stańczyk.-
• 4.  Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stańczyk.-
• 5.  Eastern Europe as Punk Frontier, Aimar Ventsel.-
• Part 2 : Eastern European Music Crossing the Borders.-
• 6.  Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europe, Mariusz Gradowski.-
• 7.  Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska.-
• 8.  Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanić and Manuela Unverdorben.-
• Part 3 : Liminal Spaces of Eastern European Music Festivals.-
• 9.  The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic.-
• 10.  Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Győri.-
• 11.  A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.