Michele Pertusi
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Puccini: Turandot
RecommendedSondra Radvanovsky (Turandot), Jonas Kaufmann (Calaf), Ermonela Jaho (Liù), Michele Pertusi (Timur), Michael Spyres (Altoum), Mattia Olivieri (Ping), Gregory Bonfatti (Pang), Siyabonga Maqungo (Pong), Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano
It is the attention Pappano pays to crafting the contrasts between passages of intense sensuality and of mechanistic brutality, casting new light on a familiar score in the process, which really... — More…
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Gramophone Magazine, March 2023, Recording of the Month
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Presto Recording of the Week, 10th March 2023
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Opera, April 2023, Disc of the Month
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Record Review, 18th March 2023, Record of the Week
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BBC Music Magazine, May 2023, Recording of the Month
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year (Jaho/Radvanovsky)
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Opus Klassik Awards, 2023, Nominated - Male Singer of the Year (Kaufmann/Spyres)
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
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Gramophone Awards, 2023 Finalists, Finalist - Opera
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International Opera Awards, 2023, Nominated - Recording (Complete Opera)
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International Classical Music Awards, 2024, Winner - Opera
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Presto Recordings of the Year, Winner 2023
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Sunday Times, 10 Best Classical Albums of 2023
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BBC Music Magazine Awards, 2024, Shortlisted - Opera
2 CDs
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Verdi: Falstaff
RecommendedMichele Pertusi (Falstaff), Carlos Alvarez (Ford), Bülent Bezdüz (Fenton), Ana Ibarra (Alice Ford), Maria Josè Moreno (Nannetta), Jane Henschel (Mistress Quickly), Marina Domashenko (Meg Page)
London Symphony Orchestra & Chorus, Sir Colin Davis
By all accounts the performances at the Barbican were among the most enjoyable of their kind in London for a long time, and certainly the enjoyment comes across on disc. The 'how' of it isn't... — More…
Awards:
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Building a Library, April 2016, Also Recommended
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Gramophone Magazine, November 2004, Editor's Choice
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Grammy Awards, 48th Awards (2005), Best Opera Recording
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Verdi: Requiem
Erika Grimaldi (soprano), Daniela Barcellona (mezzo-soprano), Francesco Meli (tenor) & Michele Pertusi (baritone)
London Symphony Chorus & London Symphony Orchestra, Gianandrea Noseda
Michele Pertusi is exemplary, with a lovely legato quality…Erika Grimaldi is at her best when projecting the drama of the text…the LSO Chorus are superb throughout, as are the LSO themselves.... — More…
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Bellini: Norma
RecommendedCecilia Bartoli (Norma), Sumi Jo (Adalgisa), John Osborn (Pollione) & Michele Pertusi (Oroveso), Liliana Nikiteanu (Clotilde), Reinaldo Macias (Flavio)
Orchestra La Scintilla & International Chamber Vocalists, Giovanni Antonini
The result [of a mezzo Norma] is creditable and often expressive, but artistically compromised...while from a purely vocal point of view it sometimes sounds a struggle. Sumi Jo has greater success... — More…
Awards:
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Presto Recording of the Week, 20th May 2013
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Building a Library, November 2015, Stereo Recommendation
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Opera, August 2013, Recording of the Month
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Rossini: Il Turco in Italia
RecommendedCecilia Bartoli (Fiorilla), Ramon Vargas (Narciso), Michele Pertusi (Selim), Laura Polverelli (Zaida), Alessandro Corbelli (Don Geronio), Roberto De Candia (Prosdocimo), Francesco Piccoli (Albazar)
La Scala Milan Chorus & Orchestra, Riccardo Chailly
Chailly has recorded the work before, but in the years since he's matured as a Rossini conductor, and the Scala orchestra has this music under its fingers; there's an energy and vitality to... — More…
Awards:
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Gramophone Awards, 1998, Winner - Opera
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Rossini: Petite Messe solennelle
RecommendedDaniela Dessi (soprano), Gloria Scalchi (mezzo), Giuseppe Sabbatini (tenor), Michele Pertusi (bass-baritone)
Orchestra e Coro del Teatro Comunale di Bologna, Riccardo Chailly
A proper representative of the orchestrated version of the Petite messe has been long overdue.
Chailly's performance is a glorious heartwarming affair. Not that you're likely to be convinced... — More…Awards:
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Building a Library, May 2001, Recommended Orchestral Version
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Building a Library, November 2018, Also Recommended
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Rossini: Il barbiere di Siviglia
RecommendedCecilia Bartoli (Rosina), Leo Nucci (Figaro), William Matteuzzi (Almaviva), Enrico Fissore (Bartolo), Paata Burchuladze (Basilio)
Chorus & Orchestra of Teatro Comunale di Bologna, Giuseppe Patanè
Cecilia Bartoli's rich, vibrant voice copes brilliantly with the technical demands. Like the conductor, Bartoli is wonderful at bringing out the fun. So is Leo Nucci and he gives a beautifully... — More…
Awards:
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Building a Library, December 2001, First Choice
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Davis was seemingly Berlioz’s disciple on earth, and this was the glorious late flowering of his love for the composer…Les Troyens crackles with a theatricality that outshines even the pioneering... — More…Awards:
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International Classical Music Awards, 2019, Nominee - Best Collection
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Berlioz: La Damnation de Faust, Op. 24
Giuseppe Sabbatini (Faust), Enkelejda Shkosa (Marguerite), Michele Pertusi (Méphistophélès), David Wilson-Johnson (Brander)
London Symphony Orchestra & Chorus, Sir Colin Davis
The greatest Berlioz conductor of his generation in a triumphant benchmark live recording … outshines previous sets at whatever price — More…
Awards:
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Gramophone Magazine, July 2001, Editor's Choice
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Rossini Discoveries
Ildar Abdrazakov (baritone), Michele Pertusi (baritone), Laura Giordano (soprano), Nelson Calzi (fortepiano)
Orchestra Sinfonica e Coro di Milano Giuseppe Verdi, Riccardo Chailly
Philip Gossett calls this 'a Rossinian curio cabinet'.
'A banquet made with leftovers from the Rossini kitchen' would do as well. Whatever the analogy, the art is as much in the assembling of... — More…Awards:
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Gramophone Magazine, December 2002, Editor's Choice
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