Katya Apekisheva
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In contrast to the concert-hall projection of Perlman, Liebeck plays these timeless miniatures with a salonesque intimacy and glowing cantabile to rival even the composer. — More…
Awards:
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Presto Recording of the Week, 31st March 2014
CD
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Maxim Rysanov plays Martinu
Maxim Rysanov (viola), Alexander Sitkovetsky (violin), Alexander Sitkovetsky (violin, Katya Apekisheva (piano)
BBC Symphony Orchestra, Jiří Bělohlávek
Rysanov, the tone of his 1780 Guadagnini viola a miraculous combination of dark vigour with the translucency of a viola d'amore, has the most idiomatic partner in Jiri Belohlavek conducting... — More…
Awards:
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Gramophone Magazine, June 2015, Editor's Choice
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Gramophone Awards, 2016, Shortlisted - Concerto
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Charles Owen and Katya Apekisheva have plenty of spirit to their playing, whether in the quirkiness of Poulenc’s Capriccio or sublimities of his Sonata for Two Pianos. — More…
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Brahms Works for Viola I
Maxim Rysanov (viola), Katya Apekisheva (piano), Katya Apekisheva (piano) & Boris Brovtsyn (violin), Jacob Katsnelson (piano), Jacob Katsnelson (piano) & Kristine Blaumane (cello)
…I found Rysanov's performances of both Sonatas compelling, vivid and packed with moments of great musical insight. The two trio performances are also extremely enjoyable… — More…
Awards:
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Gramophone Magazine, January 2009, Editor's Choice
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Apekisheva has fabulous technique, with lovely rounded sound and deeply wrought legato… — More…
Awards:
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Gramophone Magazine, September 2008, Editor's Choice
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Prospero’s Isle - Chamber Music by James Francis Brown
Tamás András (violin), Sarah-Jane Bradley (viola), Gemma Rosefield (cello), Katya Apekisheva (piano), Jack Liebeck (violin), Nicola Eimer (piano)
the performance could not be bettered in terms of overall commitment, and the disc is enhanced by admirably realistic sound as well as by Brown's pithy annotations. Pleasurable as well as enriching... — More…
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Mints and Katya Apekisheva are passionate and dedicated guides to Schnittke’s expressive landscapes as they evolve from late-Shostakovian grimaces to polystylistic melanges of neo-Baroque stylisation... — More…
2 CDs
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Liebeck produces a consistently sweet singing tone...Clearly he and Apekisheva trust each other enough to allow some independence in the partnership, and there are passages where Apekisheva... — More…
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Throughout the programme, Apekishiva is responsive to the unscripted and spontaneous nature of the genre, while maintaining seamless phrasing and flawless tonal control…Apekisheva’s Chopin offers... — More…
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Lied Haga and Apekisheva do excellent things with the Franck...Keeping us aware of the evolving structure without turning the work into an exercise in form, they give the music space to expand... — More…
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