Ann Hallenberg
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Arias from each role might as well have been tailor-made for Hallenberg’s pinpoint virtuosity and lyricism, communicative use of language, idiomatic embellishment, intelligently sculpted phrasing... — More…
Awards:
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BBC Music Magazine, September 2017, Disc of the month
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Gramophone Magazine, Awards Issue 2017, Editor's Choice
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The Times Records of the Year, 2017
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BBC Music Magazine Awards, 2018, Finalist - Opera
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Record Review, 8th July 2017, Recording of the Week
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Gramophone Awards, 2018, Shortlisted - Recital
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Brahms: Works for chorus and orchestra
RecommendedAnn Hallenberg (mezzo)
Collegium Vocale Gent & Orchestre des Champs-Elysées, Philippe Herreweghe
This is one of the most impressive collections of Brahms's shorter chorus-and-orchestra works that's come my way for some time. It's partly because of the particular combination of works...But... — More…
Awards:
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Presto Recording of the Week, 5th March 2012
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BBC Music Magazine Awards, 2013, Choral Finalist
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Gramophone Magazine, May 2012, Editor's Choice
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BBC Music Magazine, April 2012, Choral & Song Choice
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Handel: Ottone
RecommendedMax Emanuel Cenčić (Ottone), Lauren Snouffer (Teofane), Pavel Kudinov (Emireno), Ann Hallenberg (Gismonda), Xavier Sabata (Adalberto), Anna Starushkevych (Matilda)
Il Pomo d’Oro, George Petrou
The leading man is Max Emanuel Cenčić (Ottone), his tone keen, flexible and brilliant…[Xavier Sabata] brings emotionality and intelligence to the role of Adalberto…Ann Hallenberg as Gismonda,... — More…
Awards:
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Gramophone Magazine, September 2017, Editor's Choice
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Presto Recordings of the Year, Finalist 2017
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Grammy Awards, 60th Awards (2017), Nominee - Opera Recording
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Record Review, 17th June 2017, Recording of the Week
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Opera, August 2017, Recording of the Month
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Gramophone Awards, 2018, Shortlisted - Opera
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Bruckner’s intricate counterpoint and rich orchestrations make for seductive, powerful listening, especially in the Te Deum which bursts with harmonic colour. Herreweghe and his musicians give... — More…
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Hallenberg is on scintillating form, fluent alike in bravura, of which Graun's 'Mi paventi' with horns provides a dazzling example, and cantilena. The instrumental support provided by Il Pomo... — More…
Awards:
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Sunday Times, 2015, Albums of the Year
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BBC Music Magazine Awards, 2016, Vocal Finalist
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Opera, July 2015, Recording of the Month
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International Classical Music Awards, 2016, Winner - Baroque Vocal
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Handel: Il Trionfo del Tempo e del Disinganno, HWV46a
RecommendedNatalie Dessay (Bellezza), Ann Hallenberg (Piacere), Sonia Prina (Disinganno), Pavol Breslik (Tempo)
Le Concert d’Astrée, Emmanuelle Haïm
Beauty's final aria (sung by Natalie Dessay) is unconventionally slow and intensely moving, accompanied by obbligato violin possibly intended for Corelli who may have led the first performance.... — More…
Awards:
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BBC Music Magazine, May 2007, Disc of the month
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BBC Music Magazine Awards, 2008, Opera Award Winner
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Special offer. Vivaldi: Orlando Furioso, RV728
Marie-Nicole Lemieux, Jennifer Larmore, Veronica Cangemi, Philippe Jaroussky, Lorenzo Regazzo, Ann Hallenberg, Blandine Staskiewicz
Choeur Les Eléments & Ensemble Matheus, Jean-Christophe Spinosi
Jean-Christophe Spinosi's imaginative interpretation of Vivaldi's Orlando, excellently cast and performed. — More…
Awards:
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BBC Music Magazine, March 2005, Opera Choice
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Gramophone Magazine, April 2005, Editor's Choice
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Waxman, F: Joshua
RecommendedMaximilian Schell (narrator), Rod Gilfry, baritone (Moses, Joshua), Ann Hallenberg, mezzo-soprano (Rahab) & Patrick Poole (tenor)
Prague Philharmonic Choir & Prague Philharmonia, James Sedares
Waxman's command of his forces is impressive, his general musical language redolent of Mahler and Bloch. Rod Gilfry is a virile tenor soloist as both Moses and Joshua, but Ann Hallenberg is... — More…
Awards:
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Penguin Guide, Rosette
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Farinelli - A Portrait
Live in Bergen
Ann Hallenberg (mezzo-soprano)
Les Talens Lyriques, Christophe Rousset
Hallenberg is a force of nature, in stark contrast to the synthetic singing of the film, for which sound engineers fuse a mezzo with a male alto voice. Hallenberg’s voice is unmistakably her... — More…
Awards:
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BBC Music Magazine, March 2017, Opera Choice
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Opera, February 2017, Recording of the Month
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Brahms: Symphony No. 4, Alto Rhapsody & Schicksalslied
Ann Hallenberg (mezzo)
Orchestre des Champs-Élysées, Collegium Vocale Gent, Philippe Herreweghe
this strikes afresh. The sound is crystal clear, the playing sings, dynamic contrasts stand out (just before the first movement’s recap, the sudden stillness is magical). Never has his woodwind... — More…
CD
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