William Carter
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Thus there is the soloists suppleness and flexibility of phrase; but there is also the obvious enjoyment of pure sonority and tints and shades of tone. There is a lovely use of 'notes inegales'... — More…
Awards:
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Gramophone Magazine, May 2017, Editor's Choice
CD
$17.75Downloads
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The use of an instrument which is lighter and smaller than a modern classical instrument...results in a delicate yet surprisingly broad range of tones and colours…This, together with Carter's... — More…
Awards:
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Gramophone Magazine, May 2010, Editor's Choice
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La Guitarra Espanola
The Music of Santiago de Murcia
William Carter (baroque guitar) & Susanne Heinrich (bass viol)
Carter has given us de Murcia’s full stylistic and international range on this wonderful CD...De Murcia’s music, by turns sultry and playful, is brought to life by Carter’s light, dextrous,... — More…
Awards:
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Gramophone Magazine, August 2007, Editor's Choice
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CD
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Purcell: The Cares of Lovers
Rowan Pierce (soprano), William Carter (theorbo)
Academy of Ancient Music, Richard Egarr
Pierce’s voice is delicious: clear, strong, supple, with sparkling top notes and a warm, textured middle and low register. She’s mistress of her words, bending vowels and clipping consonants... — More…
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Fleur de Lys
The Solo Suite before Bach - French Bass Viol Suites from 1660-1700
Charles Medlam (bass viol)
CD
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Endless Pleasure
Hancock William Carter, Sir Charles Mackerras, Elizabeth Kenny, Susan Sheppard, Orchestra Of The Age Of Enlightenment, John Toll, Ruth Ann Swenson
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The New Irish Girl
and other folk songs and ballads to the lute
Clara Sanabras (voice, baroque guitar, lute) with Susanne Heinrich (viola da gamba), Pamela Thorby (recorders), William Carter (lute, baroque guitar)
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His mastery of the idiom is such that we only notice the music’s salon-like gentleness and intimacy, not the dextrous technique required to make it so. — More…
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