Donald Berman
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Ives: Piano Sonata No. 2 'concord, Mass., 1840-1860', the St. Gaudens ('black March')
Donald Berman (piano)
Occasionally we encounter a pianist who has such a strong connection to a particular composer that their playing is significantly better informed – and more emotionally compelling – than their... — More…
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William McClelland: Where the Shadow Glides - Songs, Solo Piano and Choral Works
The New York Virtuoso Singers, Krista River, Alex Guerrero, Thomas Meglioranza, Robert May, Margaret Dudley, Donald Berman, Blair McMillen, David Enlow, Harold Rosenbaum
Krista’s voice is light and expressive with a superb vibrato, and elegantly matched by Donald’s sensitive accompaniment at a slow walking tempo… Thomas’s voice is big and bold, and Donald carries... — More…
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One could not ask for a more committed roster of performers. — More…
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Alexander Tcherepnin; Nikolai Tcherepnin; Ivan Tcherepnin: Three Generations
Quan Yuan (violin), David Witten (piano), Sue-Ellen Hershman-Tcherepnin (flute), Ian Greitzer (clarinet), Donald Berman (piano)
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New. Arthur Levering: OceanRiverLake
Sarah Brady, Maarten Stragier, Donald Berman (piano)
Boston Modern Orchestra Project, Lydian String Quartet, Gil Rose
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Marti Epstein: Nebraska Impromptu
Rane Moore (clarinet), Sarah Brady (flute), Gabriela Diaz (violin), Donald Berman (piano), Mark Berger (viola), Rafael Popper-Keizer (cello), Peggy Pearson (oboe), John McDonald (piano)
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Second Chances
Pamela Dellal (mezzo-soprano), Donald Berman (piano), Rafael Popper-Keizer (cello), Heidi Braun-Hill (violin), Mark Margolies (clarinet), Sarah Brady (flute), Mary Ruth Ray (viola)
Lydian String Quartet
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Martin Boykan: Flume
Cyrus Stevens, Donald Berman, Pamela Dellal, Ian Greitzer, Jeanne Benjamin Ingraham, Jacob Glick, Thomas Kornacker, Christopher Finckel
Contemporary Quartet
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George Perle: Serenades
Wenting Kang (viola), Donald Berman (piano)
Boston Modern Orchestra Project, Gil Rose
[Serenade for Piano and Ensemble] This is a marvelous quasi-concerto that follows the composer’s fantasy to wonderful ends. Overall this strikes me as a late masterpiece. f you do not know Perle’s... — More…
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