Markus Poschner
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Special offer. Paul Hindemith / Alfred Schnittke
Anna Gourari (piano), Orchestra Dell Svizzera Italiana / Markus Poschner
She extracts a dizzying range of colours from Hindemith’s ingeniously constructed score...The string section of the Orchestra della Svizzera Italiana under Markus Poschner responds incisively... — More…
Awards:
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BBC Music Magazine, September 2024, Concerto Choice
CD
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Offenbach: Maitre Peronilla
Chantal Santon-Jeffery, Antoinette Dennefeld, Tassis Christoyannis, Véronique Gens, Éric Huchet, Loïc Félix, Matthieu Lécroart, Anaïs Constans, Patrick Kabongo, François Piolino, Yoann Dubruque, Raphaël Brémard, Jérôme Boutillier, Antoine Philippot, Philippe-Nicolas Martin, Diana Axentii
Chœur...
Offenbach deftly plays to the 19th-century French passion for all things Iberian with Spanish accents in the orchestration…A strong cast includes Véronique Gens as the wicked sister Leona who... — More…
Awards:
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Presto Editor's Choice, February 2020
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BBC Music Magazine, May 2020, Opera Choice
2 CDs + Book
$38.75Downloads
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This is one of the finest recordings of the Fifth to have come my way for some time...from the start one feels an impressive sense of conviction in the reading. — More…
Awards:
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Gramophone Magazine, January 2024, Editor's Choice
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Anton Bruckner: Symphony No. 3 (1877)
Bruckner Orchester Linz featuring Markus Poschner
ORF Vienna Radio Symphony Orchestra, Bruckner Orchestra Linz, Markus Poschner
While all three [of Poschner's Bruckner 3 recordings' are fast-paced performances, this newcomer is notably more spontaneous and involving than its predecessors, capturing more of the symphony’s... — More…
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Special offer. Saint-Saëns: Mélodies avec Orchestre
Yann Beuron (tenor), Tassis Christoyannis (baritone)
Orchestra Della Svizzera Italiana, Markus Poschner
The singing of both artists is of the highest class with not an ugly or unexamined note anywhere. Every word is audible and the characters of the songs are, for the most part, delineated with... — More…
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Fleet, idiomatic and clearsighted...I’m inclined to think it’s the finest performance of the score now available. — More…
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It’s the first commercial recording [of the original Scherzo] and a must-hear for all Brucknerians. — More…
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the performance of the Eighth has a sense of power and depth that makes itself felt from the very start. Tempos are on the swift side compared with the majority of recordings made in recent... — More…
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this performance is impeccable, in the safe hands of Markus Poschner, and I look forward to the continuation of the series. — More…
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As with his previous Bruckner recordings, Poschner favours swift tempos in his account of the Seventh. The result is a performance that’s fresh and invigorating but also deeply felt. — More…
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