CD, Scarlatti, D (composer)
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Every so often a major pianist reclaims Scarlatti for the piano with an outstanding recording. As Ralph Kirkpatrick put it, Scarlatti's harpsichord, while supremely itself, is continually menacing... — More…
Awards:
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Gramophone Awards, 1996, Winner - Instrumental
2 CDs
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No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight... — More…
Awards:
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BBC Music Magazine, June 2012, Instrumental Choice
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Gramophone Magazine, June 2012, Editor's Choice
CD
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Awards:
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Grammy Awards, 29th Awards (1986), Best Classical Instrumental Solo Recording
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Grammy Awards, 29th Awards (1986), Best Engineered Album, Classical
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Grammy Awards, 29th Awards (1986), Classical Album of the Year
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Colli’s colouring of the music is imaginative, and he is often persuasive in his cantabile playing…Yet too often elsewhere his gestures seem exaggerated…In short, notwithstanding some splendid... — More…
Awards:
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Presto Recording of the Week, 4th May 2018
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Presto Recordings of the Year, Winner 2018
CD
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The singing is particularly beautiful or impassioned… in Stabat mater… the group's voices gloriously expressive while retaining clarity and immaculate coherence… — More…
Awards:
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Gramophone Magazine, April 2008, Editor's Choice
CD
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Though his readings are unabashedly pianistic, they exhibit more than a passing acquaintance with contemporary Baroque performance practice...One of the joys of this generous set is the expressive... — More…
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
4 CDs
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Awards:
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International Classical Music Awards, 2024, Nominated - Historical
2 CDs
$18.00Downloads
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The Petrushka movements...have a unique fizz and excitement and quite the most orchestral range of colour I've heard...Her poise in the two Scarlatti sonatas is admirable, the textures beautifully... — More…
Awards:
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Gramophone Magazine, July 2010, Disc of the Month
CD
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By far the finest track here is his transcription of the Chaconne from Bach’s Second Partita for Violin, where the purity of the line and the implied harmonic textures transfer from bowed strings... — More…
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