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Bernstein: On The Waterfront RecommendedOrchestral Works
Royal Liverpool Philharmonic Orchestra, Christian Lindberg
They’re completely on fire, chiselling hot rhythms out of the percussion, melting their lips on ritzy brass cascades. They also obviously relish the tenderness of those rare moments when Bernstein... — More…
Awards:
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Presto Editor's Choice, March 2018
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Gramophone Magazine, June 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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Rhapsody
RecommendedMartin James Bartlett (piano), London Philharmonic Orchestra, Joshua Weilerstein
It’s a joyful display, full of warmth, character and the singing tone that Bartlett has come to be known for... The emphasis is on spontaneity rather than virtuosity for its own sake, with an... — More…
Awards:
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Gramophone Magazine, April 2022, Editor's Choice
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Presto Recordings of the Year, Finalist 2022
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Alsop and her Bournemouth band capture [On the Waterfront] as surely and atmospherically as they do the glitzy exuberance of On the Town...it reeks of adrenaline, and brutal oppression...It... — More…
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Gramophone Magazine, October 2003, Disc of the Month
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The Gershwin Moment
RecommendedKirill Gerstein (piano), Storm Large (vocals), Gary Burton (vibraphone)
St. Louis Symphony Orchestra, David Robertson
What [Gerstein] serves up here is living, breathing Gershwin that doesn’t shy from improvisation and yet retains all the crystal clarity and architectural cohesion of his interpretations of... — More…
Awards:
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Gramophone Magazine, March 2018, Editor's Choice
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Presto Editor's Choice, February 2018
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Presto Recordings of the Year, Finalist 2018
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Quiet City
RecommendedAlison Balsom (trumpet), Tom Poster (piano), Nicholas Daniel (cor anglais), Britten Sinfonia, Scott Stroman
Revisiting the improvisatory practice of jazz icons with highly idiosyncratic techniques can fall flat, but Balsom and the Britten Sinfonia make it work. They are entirely idiomatic and wonderfully... — More…
Awards:
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Presto Recording of the Week, 26th August 2022
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Gershwin in Hollywood
RecommendedLive at the Royal Albert Hall
Louise Dearman, Matthew Ford, Louise Dearman & Matthew Ford
The John Wilson Orchestra, John Wilson
I don’t believe there is any such thing as a bad Gershwin song, but the very best of them feature in this luxury assortment…and this being a John Wilson album with his eponymous orchestra, they... — More…
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Presto Recording of the Week, 6th May 2016
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Presto Recordings of the Year, Finalist 2016
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Cole Porter in Hollywood
RecommendedAnna-Jane Casey, Kim Criswell, Matthew Ford, Sarah Fox, Richard Morrison
John Wilson Orchestra, John Wilson
The orchestral performances here display all of the virtues that have come to be associated with Wilson and his band: plenty of ‘front’ on the brass-playing, liberal vibrato from the strings... — More…
Awards:
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Presto Recording of the Week, 6th October 2014
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Presto Recordings of the Year, Finalist 2014
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I think we’ve reached the pinnacle of Zimmer live albums now – this is the third since 2017, though probably the most impressive of the bunch. — More…
Awards:
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Opus Klassik Awards, 2023, Nominated - Composer of the Year
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Gershwin: Rhapsody in Blue
Orion Weiss (piano), John Fullam (clarinet)
Buffalo Philharmonic Orchestra, JoAnn Falletta
The orchestral contribution is lively and idiomatic, with jazzy clarinet and trumpet. The solo playing is clean and clear, but I would also describe it as thoughtful and careful...Recommendable... — More…
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The Symphonic Touch of Benny Andersson
Christian Svarfvar (violin), London Philharmonic Orchestra, Anders Berglund
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