Choral, Obrecht (composer)

This is clearly a well-honed performance, strongest in delicate moments....This new release is a happy marriage of musicality and musicology. — Gramophone Magazine, June 2023 More…

This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. — Gramophone Magazine, January 2013 More…

The performers manage to give these ‘dark meanderings’ some shape and purpose with contrasts of mood…vigorous interplay between the voices…and some surprising musica ficta harmonies…They are... — BBC Music Magazine, May 2018, 4 out of 5 stars More…

Works by Josquin and Obrecht are among the gems in this excellent collection. Crisp, one-to-a-part performances benefit from majestic recorded sound. — BBC Music Magazine, December 2019, 5 out of 5 stars More…

Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... — Gramophone Magazine, September 2019 More…

The brilliant Dorothee Mields and the excellent Boreas Quartett Bremen take us on a fascinating musical journey through time and inspire us with their high art of interpretation, with a perfect... — International Classical Music Awards, 2022 More…