Resonus Classics
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there is a fair degree of sentimentality and sugariness – and why not? This is a Christmas album after all, and Americans are not known for their seasonal restraint. Paul Gameson always keeps... — More…
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Johannes Brahms: Liebeslieder Walzer, Opp. 52 & 65
Mary Bevan (soprano), Fleur Barron (mezzo-soprano), Nicky Spence (tenor), Wlliam Thomas (bass), Dylan Perez (piano), Joseph Middleton (piano)
This delectable recording makes a splendid case, if it were needed, for their worth. These four singers complement one another and blend effortlessly, seeming to share some crucial qualities:... — More…
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Where this light-toned, unassuming sextet delivers is in the strongest material: the agonies of both settings of When David heard (by Tomkins and Gibbons) and the obsessional fervour of Tallis's... — More…
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No stranger to generous acoustics. [Scott] makes some surprising choices in this disc, sometimes using the acoustic to glorious rhetorical effect, sometimes using the acoustic to glorious rhetorical... — More…
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Compared with Monteverdi’s lavish 1610 vespers, Freddi’s resources are modest…, yet the music is remarkably varied – here rapt and contemplative, there extravagantly virtuosic. The six soloists... — More…
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The disc is full of sensitively balanced, expressive performance, most of them sung unaccompanied…A jazzed-up God rest you merry, gentlemen and a chittering Jingle Bells bring fun into the equation,... — More…
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Ferris encourages his singers to generate a rich, robust texture, abundant in vibrant colour and undoubted excitement. That’s not to say it’s a free-for-all shout. Flexibility is matched by... — More…
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