Signum
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Soprano Tynan has a fresh, light, but powerful voice, which never distorts and uses vibrato sparingly. She relates symbiotically to Burnside...The disc is full of interest. There are lovely,... — More…
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Here's a stunning display of unaccompanied part-singing by six consummate vocal artists. Sullivan's 'The Long Day Closes', beautifully shaped and shorn of sentimental Victorian accretions,... — More…
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Joby Talbot: Tide Harmonic
Joby Talbot, Jeremy Holland-Smith (keyboards), Manon Morris, Deian Rowlands (harp), Rob Farrer, Steve Gibson (perc), Everton Nelson, Patrick Kiernan, Eos Chater, Rick Koster (violins), Morgan Goff (viola), Chris Worsey, Ian Burdge (cello) & Mary Sculley (bass)
The former Divine Comedian's latest project is an engrossing concept album about water, evoked in its various elemental states across a five-part suite bookended with a brief orchestral torrent... — More…
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This is pop perfectly translated for the concert hall. — More…
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Mahler: Totenfeier & Lieder eines fahrenden Gesellen
Sarah Connolly (mezzo-soprano)
Orchestra of the Age of Enlightenment, Vladimir Jurowski
Jurowski brings Mahler's tragic worlds - both cosmic and human - alive with incomparable vividness...Details leaps out in the fine balance of the Wayfarer Songs, too. Sarah Connolly holds her... — More…
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This recording focuses on sacred works by Dufay from a 15th-century manuscript preserved at Bologna and known as Q15. This is a complex source, compiled over a number of years in northern Italy,... — More…
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Fauré: The Complete Songs Vol. 3
Lorna Anderson, Louise Kemény, Isobel Buchanan, Janis Kelly (sopranos), Sarah Connolly, Ann Murray (mezzos), Iestyn Davies (countertenor), John Chest, William Dazeley (baritones), Malcolm Martineau (piano)
Lorna Anderson displays outstanding control in a triptych reflecting wounded love…Martineau is predictably outstanding throughout, with deft pacing and his finely-judged gradations of touch... — More…
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Dariescu has plenty of power and agility, but she deplys them strictly for the sake of the music rather than for her own glory. Above all she knows how to shape lines by means of tactical withdrawal... — More…
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The playing standard is excellent, with the strings of the Scottish Ensemble finding a light and suitably transparent texture in the Vivaldi, matched by bright, stylish solos from Jonathan Morton...if... — More…
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