Signum

Naji Hakim’s extraordinary virtuosity has never been in doubt, and the brilliance of the reed stops en chamade on the one hand and some delicious flutes on the other give him ample opportunity... — Choir & Organ, November 2014 More…

If the saxophone sometimes appears as something of an addition to the choral writing, the best examples – such as Gabriel Jackson’s stirring Sancte Deus or Francis Pott’s luminescent Rosa sine... — Gramophone Magazine, May 2024 More…

The pieces were all written for soprano, but they suit young Rykkvin’s pure tone and mature musicianship to perfection. A month after the recording, his voice broke and that ethereal sound was... — The Guardian, 10th March 2018 More…

[The King's Singers] reveal simultaneously its devotional and madrigalian qualities — Choir & Organ, March 2017 More…

The illuminating insert-notes place Mary's short reign within the bewilderingly stormy context of the 16th century with a calm understanding that enables the listener to see how this Latin music... — Gramophone Classical Music Guide, 2010 More…

I didn’t realise this CD would be quite the find that it was; this is a transcription that works almost as if the music was written for the organ itself…Jeremy Filsell is a superb pianist and... — CD Review, 11th April 2015 More…

The Smith Quartet's razor-sharp intensity is particularly suited to the evocation of macabre soundscapes, and there is plenty of it here, from the edgy agoraphobia opening Tim Souster's Hambledon... — Gramophone Magazine, October 2007 More…