Somm
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Here the outstanding performance [of the Second Quartet] is flanked by accounts of the First and Third marked by equal intensity and responsiveness to mood, and similarly well recorded. — More…
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Michael Dussek’s Chopin playing is accomplished...One might conclude that it would have been preferable to make this an all-Dussek disc, but the logic of pairing him with Chopin is compelling.... — More…
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these accounts of Dussek’s Op. 35 set are worth hearing. — More…
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On This Shining Night: Music For Voice and String Quartet
Roderick Williams (baritone), James Gilchrist (tenor), Sophie Bevan (soprano), Coull Quartet: Roger Coull, Philip Gallaway, Johnathan Barritt, Nicholas Roberts
By far the most interesting interplay between voice and string quartet in this new recital is in Sally Beamish’s five Tree Carols, of which this is the first recording...All told, a cleverly... — More…
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I Vow To Thee, My Country
Choral Music by Gustav Holst
Chapel Choir of the Royal Hospital Chelsea, Joshua Ryan, Richard Horne, William Vann
Vann’s talent for eliciting intelligent responses to text, and his use of dynamic nuances to clarify meaning, are splendidly evident in the Nunc Dimittis. The 20 singers of the Royal Hospital... — More…
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Parry: Twelve Sets of English Lyrics Volume II
Sarah Fox (soprano), James Gilchrist (tenor), Roderick Williams (baritone), Andrew West (piano)
Those who know Parry mainly from the robustly self-assured ‘Jerusalem’ and ‘I Was Glad’ may find the more sophisticated nuances of these songs surprising…Pianist Andrew West supports the singers... — More…
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Donohoe takes each work at face value, keeping shifts of tempo and impromptu ornamentation to a minimum but still playing with the sensitivity that was palpable in Vol. 1…You can tell he particularly... — More…
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Penelope Thwaites: Chamber Music
Gardens, Fables, Prisons, Dreams
Tippett Quartet (string quartet), Penelope Thwaites (piano), Benjamin Frith (piano), John Mills, Bozidar Vukotic, Laurence Ungless
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The Beecham Collection - Sibelius
Royal Philharmonic Orchestra, BBC Symphony Orchestra, Sir Thomas Beecham
Beecham's 1937 Fourth is one of the definitive versions, but this 1951 studio broadcast offers clearer sound, despite infuriating rasps from the acetate master, and very similar intensity.... — More…
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