Wergo

In Janowski's hands the textures overall are less edgy than on Metzmacher's rival - given a more spacious, reverberant acoustic by the EMI engineers, although both versions were set down in... — Gramophone Magazine, Awards Issue 2009 More…

Boulez’s account is spellbinding, and the work emerges as a clear precursor of his own Le Marteau sans maître. — Sunday Times, 18th June 2017 More…

[Lachenmann] elicits from his performers the sort of rebarbative, accidental noises they are conventionally trained to avoid, and builds on these an abstruse new aesthetic. There is genuine... — Sunday Times, 1st March 2009, 3 out of 5 stars More…