Wergo

these recordings present Aharonián’s music to us with passion and precision…you have not heard anything quite like this before, I reckon — Fanfare, May/June 2020 More…

Susteck blows air through the structures while remaining respectful to the spirit, if not the word, of Stockhausen's original intentions. He uses percussion stops to move Stockhausen's nursery-rhyme... — Gramophone Magazine, Awards Issue 2011 More…

this is a world away from the usual formal narrative of classical music, but it’s by no means random, in either sound or intention...Far less daunting, and more satisfying, than it first appears. — The Independent, 18th January 2014, 3 out of 5 stars More…

There's hardly any break on the disc between the suitably irascible Choler for two pianos of 2004 and the more discursive solo Crimson, completed the following year, suggesting close connections... — The Guardian, 1st August 2008, 2 out of 5 stars More…