Audite

I cannot exaggerate the imagination and creative reach of this album. On the surface it replicates dozens of recordings of the Fauré, Debussy, and Ravel sonatas, but the music-making is entirely... — Fanfare, September/October 2020 More…

Audite’s release of a 1955 recording with Milstein and the Swiss Festival Orchestra under Ernest Ansermet marks a ‘first’ in the discography of Ansermet…The sound is acceptable throughout, save... — Gramophone Magazine, March 2019 More…

This collection of Beethoven’s works for violin, cello and piano...is played by the Swiss Piano Trio with real freshness and verve.The early Op 11 in B flat major (1797) and the one-movement... — The Observer, 10th September 2017, 4 out of 5 stars More…

It’s many a long year since I enjoyed this marvellous, life-enhancing set [the Brandenburgs] so much. Who knew that Reger could be such fun? A great deal of this is down to the immaculate pinpoint... — Gramophone Magazine, December 2019 More…

A happy star reigned over Cologne two autumns ago when violinist-turned maestro Eivind Aadland recorded his cycle of Grieg symphonic works with the city's WDR orchestra...the bite and bounce... — Gramophone Magazine, November 2011 More…

Ably partnered by the Deutsche Radio Philharmonie and Nagy, the violinist Liana Gourdjia gives a clean, elegant, sometimes dogged and sometimes lyrical account of Stravinsky’s 1931 Violin Concerto:... — Sunday Times, 29th January 2017 More…

High among the qualities of these excellent performances is the ability to make the most of the brilliance of the writing without losing a grip on the lyrical, and indeed the highly personal,... — International Record Review, July/August 2012 More…