BIS

The Stenhammars conclude the first-ever complete cycle of their namesake's quartets on disc with characteristically energetic and well-explored readings of his first two essays in the genre. — Gramophone Magazine, March 2015 More…

[Isherwood's] new disc is an eloquent and persuasive contribution to the Cageian cause precisely because he approaches the music from an alternative vantage point, and Cage's material proves... — Gramophone Magazine, August 2015 More…

The music of Josef Myslivecek (1737-81) is exquisitely crafted and offers bracing freshness, nowhere more than in the First Concerto. The score states ‘cembalo’, probably meaning fortepiano,... — International Piano, July 2019 More…

As imaginative and delightful as many of Lidström’s flights of fancy are, he ultimately stays true to the opera’s tragic tone…I was struck by the distinct vocal quality of Lidström’s playing... — Gramophone Magazine, July 2018 More…

Prokofiev's most profound slow movement has the proper Wagnerian breadth...Litton's work on detail here is unstinting, and it pays off in the whirling dissolve as Lieutenant Kijé, the soldier... — BBC Music Magazine, July 2013, 4 out of 5 stars More…