BIS
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Suzuki, as we’ve come to expect in all his Bach projects, takes an exacting view of the music in terms of how the composer’s voice can be most directly and effectively communicated without artifice…Particularly... — More…
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Jón Leifs - Hekla and other orchestral works
Kór Hallgrímskirkju, Schola Cantorum, Iceland Symphony Orchestra, En Shao
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2 CDs
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Sibelius - Songs of the Earth
Helena Juntunen (soprano) & Juha Hostikka (baritone)
Dominate Choir & Lahti Symphony Orchestra, Osmo Vänskä
BIS continues its exploration of Sibelius's complete works and in this issue brings us some music that will be new even to dedicated Sibelians. Osmo Vänskä gets excellent results from the Lahti... — More…
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Fauré & Duruflé: Requiems
Miah Persson (soprano), Malena Ernman (mezzo-soprano), Olle Persson (baritone), Mattias Wager (organ)
Swedish Radio Choir, Fredrik Malmberg
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Bach - Secular Cantatas VII
Mojca Erdmann (soprano), Dominik Wörner (bass), Kiyomi Suga (flute), Nobuaki Fukukawa (horn), Masaaki Suzuki (harpsichord)
Bach Collegium Japan
The two voices are ideally cast. Mieke (Mojca Erdmann) sings with a charming simplicity as she resists and then gives way to the advances of her rustic beau, Dominik Wörner. He sings with great... — More…
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For pianist Yevgeny Sudbin and conductor Osmo Vänskä it’s playfulness that prevails in the outer movements [of the Second Concerto]…Sudbin’s cadenzas are highlights: hints of jazz harmonies... — More…
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BIS's recording wonderfully captures all the layered sonorities and resonances of Silvestrov's orchestral web, and the Lahti Symphony play as if possessed. — More…
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