BIS
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Perhaps the tempos in the Duo Sonata’s central movements are constrained by the problems introduced when transferring piano parts to the guitar but the playing itself is of the highest order,... — More…
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Dvorak & Martinu: Cello Concertos
Christian Poltéra (cello)
Deutsches Symphonie-Orchester Berlin, Thomas Dausgaard
Cellist Christian Poltéra and conductor Thomas Dausgaard give Dvorak’s Cello Concerto a lusty warmth and spontaneity…but what sets this recording apart is this reading of Martinu’s Cello Concerto... — More…
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The Voice of Sibelius
Tom Nyman (tenor) & Tommi Hakala (baritone)
YL Male Voice Choir & Lahti Symphony Orchestra, Hyökki (a cappella works) & Osmo Vänskä (accompanied works)
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Beethoven - Piano Concertos in D, Op. 61 & No. 4
Ronald Brautigam (piano)
Norrköping Symphony Orchestra, Andrew Parrott
Brautigam's tempos are characteristically brisk, but he gives dazzling performances of both works, supported by the stylish, non-vibrato playing of the Norrköping Symphony Orchestra under Andrew... — More…
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All Ogawa's performances are scrupulously worked, considered and clarified. — More…
CD
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there’s a sense of eavesdropping on a spontaneous yet eloquently-argued soliloquy. Colouring is subtle, conversational banter deftly managed, and Lindberg’s tempos always feel spot on, allowing... — More…
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2 CDs
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The French players seem perfectly drilled in the intricate rhythmic complexities of Walton's often jagged writing in these highly enjoyable performances, which also bring out the lyrical warmth... — More…
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Arktis Arktis!
Works by Karin Rehnqvist
Martin Fröst (clarinet)
Kungsbacka Piano Trio, Adolf Fredrik’s Girls Choir, Swedish Chamber Orchestra, Bo Johansson, Petter Sundkvist, John Storgårds
CD
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Suzuki, as we’ve come to expect in all his Bach projects, takes an exacting view of the music in terms of how the composer’s voice can be most directly and effectively communicated without artifice…Particularly... — More…
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