BIS
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Prepare yourself to embrace the bizarre and bonkers virtuosity of Restoration mad songs and works by Biber and Telemann in these arrangements by Terje Tønnesen and Mihkel Kerem…these are stylish... — More…
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Ronald Brautigam's warm-toned piano… serves him particularly well in the lyrical concluding rondo of the Sonata Op. 7, with the figuration of its stormy central episode returning in a mollified... — More…
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Sudbin gets my vote right at the start here by opening his Chopin recital with the Fantasy in F minor, one of the pinnacles of the composer's art...Sudbin captures its improvisatory qualities... — More…
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…Suzuki's measured declamation linear clarity, together with tasteful responses to ornament, are among his greatest strengths. — More…
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Tchaikovsky & Glazunov - Violin Concertos
Vadim Gluzman (violin)
Bergen Philharmonic Orchestra, Andrew Litton
From his very first entry, Vadim Gluzman commands attention with beguilingly natural phrasing and tonal purity. — More…
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[Shostakovich] Hemsing is as fine in the third movement as the first in progressively ratcheting up the tension before easing down into the cadenza, which in turn grows steadily to a searing... — More…
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this is a colourful and enjoyable account [of Petrushka], well-characterised and full of dynamic contrast...fans of Kempf need have no qualms about acquiring this release. — More…
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Gubaidulina: In tempus praesens & Glorious Percussion
Concertos by Sofia Gubaidulina
Vadim Gluzman (violin), Glorious Percussion (Anders Loguin, Anders Haag, Mika Takehara, Eirik Raude, Robyn Schulkowsky)
Lucerne Symphony Orchestra, Jonathan Nott
Gubaidulina's second violin concerto, In Tempus Praesens (2007) is one of her most eloquent utterances...All in all a poetic reading, sufficiently different from Mutter to be worth acquiring...Gubaidulina... — More…
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Jalbert, Bach, Pärt & Vasks: Music for Violin & Orchestra
Margaret Batjer (violin)
Los Angeles Chamber Orchestra, Jeffrey Kahane
Its moods ranging from otherworldly to feisty, Pierre Jalbert’s Violin Concerto has its memorable moments. The real pleasure, though, lies in the Bach, Pärt and Vasks that follow. — More…
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