BIS
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Plowright’s account of [the First Sonata] indeed feels like a revelation. Its reference to the opening of Beethoven’s Hammerklavier Sonata here appears exploratory, the sound dry but sweet,... — More…
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Lindberg's playing is peerless and the result is totally realistic. One can pick out any one of the 92 items virutally instantaneously. A remarkable achievement, very well documented, and the... — More…
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Tafreshipour: The Doll Behind the Curtain
Jonathan von Schwanenflügel (tenor), Per Bach Nissen (bass), Signe Sneh Durholm (soprano), Elenor Wiman (mezzo-soprano), Thomas Storm (baritone), Maria Dreisig (soprano), Jakob Bloch Jespersen (bass-baritone)
Athelas Sinfonietta, Eirik Haukaas Ødegaard
As the psychosexual crisis deepens, Jonathan von Schwanenf lügel proves vocally supple as the conflicted student, supported by a committed cast and 11-piece Athelas Sinfonietta under Eirik Haukaas... — More…
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The Cologne Academy’s period instruments impart a welcome, grainier texture than some more sumptuously upholstered modern-instrument recordings…undemanding, yes, but an hour and a quarter of... — More…
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Synergy
Sharon Bezaly (flute), Michala Petri (recorder), Björn Gäfvert (harpsichord, organ), Michael Collins (clarinet), Walter Auer (flute), Bram van Sambeek (bassoon)
Swedish Chamber Orchestra, Urban Svensson, Thomas Dausgaard, Michael Collins
Bezaly makes a playful return to the BIS recording studio for a series of performances rooted in collaboration and musical camaraderie. In this programme of concertos and chamber works, Bezaly’s... — More…
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There’s no point in making great claims for the pieces themselves, most of which are under three minutes…If you want some baroque entertainment while throwing a dinner party, or perhaps driving... — More…
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Tcherepnin: Piano Concerto & Symphonies
Piano concerto No.6, Symphonies No. 3 & No. 4
Noriko Ogawa (piano)
Singapore Symphony Orchestra, Lan Shui
CD
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Captured in beguilingly immediate sound that creates the impression of Emma Abbate and Julian Perkins playing in your liv ing room, this is a recording I have already returned to several times... — More…
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