Deutsche Grammophon
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Berlioz: Grande Messe des Morts, Op. 5 (Requiem)
Peter Schreier
Bayerische Rundfunk Sinfonieorchester, Charles Munch
Munch's second recording of Berlioz's setting of the Requiem Mass resonates to a vision recognising that the devil is in the quiet detail, and that (paradoxically) intimacy triumphs. — More…
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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'
Edith Mathis (soprano), Martina Arroyo (soprano), Erna Spoorenberg (soprano), Julia Hamari (contralto), Norma Procter (contralto), Donald Grobe (tenor), Dietrich Fischer-Dieskau (baritone), Franz Crass (bass), Eberhard Kraus (organ)
Symphonieorchester des Bayerischen Rundfunks, Boys of the...
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Hahn and Hauschka’s music has an organic mechanical motion, emerging out of a world that could have been created by Jules Verne or H.G. Wells. There’s a strutting roboticism, but all parts are... — More…
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Mozart: Wind Concertos
Karlheinz Zoeller (flute), Harold Wright (clarinet), Sherman Walt (bassoon)
English Chamber Orchestra, Boston Symphony Orchestra, Bernhard Klee, Seiji Ozawa
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Orff: Carmina Burana - Live from the Forbidden City
Aida Garifullina (soprano), Toby Spence (tenor), Ludovic Tézier (baritone)
Shanghai Symphony Orchestra, Long Yu
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The playing itself is full of flair and charm. The Mozart brims with joie de vivre, displaying a classical poise and subtlety of expressive range. — More…
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