ECM

Márquez is always a thoughtful, imaginative player, as supple as he is subtle, across a wide range of genres and periods from Renaissance to contemporary. Here, however, he is on home turf,... — Gramophone Magazine, May 2015 More…

Hearing top-grade quartet violinists tackle these flavoured educational duos is a delight, though not an original one. (The Emerson's co-leaders Eugene Drucker and Philip Setzer have already... — Gramophone Classical Music Guide, 2010 More…

Robert Dowland's Musicall Banquet needs no introduction, except to remark on the irresistible challenge it poses for the singer - mastering four very different adioms, French, Italian, Spanish... — Gramophone Magazine, November 2008 More…

Heinz Holliger repeatedly explores the fragile boundaries between creativity and madness… Gesänge der Frühe, from 1987… is a strange hybrid of documentary an gradiloquent oratorio, whose carefully... — BBC Music Magazine, August 2009, 4 out of 5 stars More…

Over the immanent, limpid voices Garbarek improvises equally immaculate counter-melodies. His contributions tend to be somewhat predictable, more decoration than improvisation in the fullest... — BBC Music Magazine, November 2010, 4 out of 5 stars More…

This transcription involves a constant interchange, bar by bar, between the full string ensemble of 25 and a string quartet with Kremer joined by the leaders of the relevant sections. The arrangement... — Gramophone Magazine, December 2005 More…