Erato
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Britten & Elgar: Works for Cello and Orchestra
RecommendedTruls Mørk (cello)
City of Birmingham Symphony Orchestra, Simon Rattle
Awards:
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Building a Library, February 2004, Modern Choice
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Latry’s characteristic integrity and virtuosic verve illuminate everything he touches – particularly in the lascivious glissando that ends his own arrangement of Falla’s Ritual Fire Dance…when... — More…
Awards:
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Presto Recordings of the Year, Finalist 2017
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Järvi is no speed merchant, and some might find his performance comparatively tame even if his technical control and formidable sense of logic are never in doubt…[but] I will certainly be revisiting... — More…
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Record Review, 1st April 2023, Also Recommended
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Brahms: Alto Rhapsody, Op. 53, etc.
Stephanie Blythe
A Sei Voci & Ensemble Orchestral De Paris, John Nelson
Awards:
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Gramophone Magazine, February 2005, Editor's Choice
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Awards:
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Gramophone Magazine, May 2002, Editor's Choice
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Awards:
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Grammy Awards, 44th Awards (2001), Best Classical Instrumental Solo Recording
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Marvellously punchy and spontaneous... there is the thilling sense of risk in the whole performance which alerts the listener to the fun and colour of the Gershwin style... this collection is... — More…
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Awards:
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Gramophone Magazine, April 2004, Editor's Choice
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Debussy: L'Enfant Prodigue & Ravel: L'Enfant et les sortilèges
RecommendedRoberto Alagna (Azaël), Karina Gauvin (Lia), Jean-François Lapointe (Siméon), Chloé Briot (L’Enfant), Nathalie Stutzmann (Maman/Tasse chinois/Libellule), Sabine Devieilhe (Le Feu/Rossignol))
Chœur et Orchestre de Radio France, Mikko Franck
Briot is well contrasted with the excellent Nathalie Stutzmann as Maman and two other characters, while Sabine Devielhe as The Fire and François Piolino as Mr Arithmetic are first class. In... — More…
Awards:
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Building a Library, September 2018, Recommended Recording
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Fervent and passionate, [the Strohl] proves tremendously listenable; and here Moreau and Kadouch give it all they’ve got…[In the Franck] they seem at times too get up…The Poulenc, however, flowers... — More…
Awards:
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Gramophone Magazine, March 2018, Editor's Choice
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