Erato
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if Tharaud is evidently aware of the stylistic insights afforded by the scholarly diggings of the past few decades, he's unrepentantly pianistic in his approach...Tharaud's is playing with personality,... — More…
Awards:
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BBC Music Magazine, March 2011, Instrumental Choice
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New. Stephen Hough - The (Big) Piano Album
Stephen Hough (piano), Ronan O'Hora (piano)
Hallé Orchestra, BBC Symphony Orchestra, Bryden Thomson, Sir Andrew Davis
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2 CDs
$10.25Downloads
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CD
$17.50Downloads
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It's something of a challenge to recast Berg's Op. 1 Piano Sonata as a work for string sextet. …this arrangement, made by the Artemis Quartet's violinist Heime Müller, works wonderfully well.... — More…
Awards:
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BBC Music Magazine, May 2006, Chamber Choice
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Handel: Organ Concertos, Op. 7 Nos. 1-6, HWV306-311
Bob van Asperen (organ)
Orchestra of the Age of Enlightenment
2 CDs
$10.25Downloads
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Strauss, R: Violin Sonata in E flat major, Op. 18, etc.
Vadim Repin (violin), Boris Berezovsky (piano)
Stylistically, Strauss's lyrical Op 18 (1887) sits poised somewhere between Brahms's chivalrous song cycle Die schöne Magelone and Strauss's own Don Juan of the following year.
The finale is... — More…Downloads
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Nicholas Angelich plays Brahms
Nicholas Angelich (piano)
Frankfurt Radio Symphony Orchestra, Paavo Jarvi
There is a sense in which the Second Piano Concerto is...chamber music writ large. Yet there is nothing small-scale about this performance...Angelich produces a rich and solid tone-quality throughout... — More…
Awards:
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Gramophone Magazine, September 2010, Editor's Choice
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Piotr Anderszewski at Carnegie Hall
Recording Stern Auditorium / Perelman Stage, Carnegie Hall, New York City, 3.XII.2008
Piotr Anderszewski (piano)
Piotr Anderszewski employs a small but incisive tone in the Bach Sinfonia, as though he is taking us into his confidence; the Allemande is sweet and unassuming, the Courante has warmth, the... — More…
Awards:
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Gramophone Magazine, August 2009, Editor's Choice
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As a duo they're breathtaking, with Tetzlaff soaring sweetly over Bartok's gritty piano part in the Sonata No. 1, with his soft-grained sound and almost breathy phrasing bringing a vocal quality... — More…
Awards:
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Gramophone Magazine, September 2004, Editor's Choice
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