Erato
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Mahler: Symphony No. 3, etc.
Jadwiga Rappe (Contralto), Cornelia Kallisch (Mezzo-soprano), Edith Wiens (Soprano), Andreas Schmidt (Baritone)
Ensemble feminine de Musique vocale de Lausanne, Maitrise du Conservatoire Populaire de Geneve, Orchestre de la Suisse Romande, Armin Joran
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David Hill conducts Tavener & Pärt
Solveig Kringelborn (soprano), William Kendall (tenor) & Iain Simcock (handbell), Donald Sweeney (bass), Gavyn Wright, Maciej Rakowski, Patrick Kiernan, Boguslav Kostecki, Ben Cruft & Jackie Shave (violins), William Kendall (tenor) & David Dunnett (organ), Iain Simcock (handbells)
Winchester...
Gutsy singing from the Winchester Choir, the measured simplicity of Solveig Kringelborn, and David Dunnett's vivacious organ accompaniments make David Hill's survey of mid '80s to early '90s... — More…
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Mozart: Requiem, K. 626
Harry van der Kamp (bass), Christoph Prégardien (tenor), Barbara Schlick (soprano), Carolyn Watkinson (contralto)
Koor van de Nederlandse Bachvereniging, Amsterdam Baroque Orchestra, Ton Koopman
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Pergolesi: Stabat Mater, etc.
Véronique Gens (soprano), Gérard Lesne (countertenor)
Il Seminario musicale
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Mahler: Symphony No. 2 'Resurrection'
Natalie Dessay (soprano) & Alice Coote (mezzo soprano)
Frankfurt Radio Symphony Orchestra & Orféon Donostarria, Paavo Järvi
Alice Coote glides in with magisterial warmth, the perfect mediator between the human and the divine...the extremes of the finale are this performance's other great asset. Super audio it may... — More…
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Charpentier, M-A: Leçons de Ténèbres (Offices du jeudi et du vendredi saints)
Sandrine Piau, Ian Honeyman, Peter Harvey, Agnès Mellon & Jacques Bona
Il Seminario musicale, Gérard Lesne
music of great variety and beauty, featuring soloists naturally attuned to this repertoire. The accompaniments are provided by a varied instrumental group, and their use is consistently imaginative... — More…
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