Erato
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Awards:
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Gramophone Magazine, May 2002, Editor's Choice
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Brahms: Alto Rhapsody, Op. 53, etc.
Stephanie Blythe
A Sei Voci & Ensemble Orchestral De Paris, John Nelson
Awards:
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Gramophone Magazine, February 2005, Editor's Choice
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Elina Garanca is a Latvian mezzo who is equally happy as a Dorabella or a Fiordiligi. The Camerata Salzburg is her accompanist; and that superb Mozartian Louis Langrée makes a diva of every... — More…
Awards:
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Gramophone Magazine, May 2006, Editor's Choice
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Philippe Jaroussky: Caldara in Vienna
Forgotten Castrato Arias
Philippe Jaroussky
Concerto Köln, Emmanuelle Haïm
Awards:
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Gramophone Awards, 2011, Shortlisted - Recital
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Awards:
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Gramophone Magazine, April 2004, Editor's Choice
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Awards:
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Grammy Awards, 44th Awards (2001), Best Classical Instrumental Solo Recording
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Amor e gelosia
Handel Operatic Duets
Patrizia Ciofi (soprano), Joyce DiDonato (mezzo)
Il Complesso Barocco, Alan Curtis
The duets in his operas are the special treats, coming at climactic points – most often, two lovers' supposedly final parting, or their ultimate reunion. Try 'Io t'abbraccio', from Rodelinda,... — More…
Awards:
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Gramophone Magazine, October 2004, Editor's Choice
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Debussy: L'Enfant Prodigue & Ravel: L'Enfant et les sortilèges
RecommendedRoberto Alagna (Azaël), Karina Gauvin (Lia), Jean-François Lapointe (Siméon), Chloé Briot (L’Enfant), Nathalie Stutzmann (Maman/Tasse chinois/Libellule), Sabine Devieilhe (Le Feu/Rossignol))
Chœur et Orchestre de Radio France, Mikko Franck
Briot is well contrasted with the excellent Nathalie Stutzmann as Maman and two other characters, while Sabine Devielhe as The Fire and François Piolino as Mr Arithmetic are first class. In... — More…
Awards:
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Building a Library, September 2018, Recommended Recording
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Gluck: Ezio
RecommendedOriginal Prague version (1750)
Sonia Prina (Ezio), Max Emanuel Cencic (Valentiniano), Ann Hallenberg (Fulvia), Topi Lehtipuu (Massimo), Julian Pregardien (Varo), Mayuko Karasava (Onorio)
Il Complesso Barocco, Alan Curtis
What it reveals may surprise listeners. Though couched in the classic opera seria mode of the time...it shows that, like Handel [Gluck] could imbue the traditional form with drama...the succession... — More…
Awards:
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Presto Recording of the Week, 26th September 2011
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