Erato
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There's no problem with the quality here: indeed it's excellent in every department of this traditionally underachieving orchestra, which respond to Järvi's energised conducting with much panache. — More…
Awards:
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Gramophone Awards, 2011, Shortlisted - Orchestral
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Bach, J S: Christmas Oratorio, BWV248
RecommendedLisa Larsson, Elisabeth von Magnus, Christoph Prégardien, Klaus Mertens
Amsterdam Baroque Orchestra & Choir, Ton Koopman
Koopman's choir never sacrifices verve to its technical polish and his instrumental forces are outstanding. — More…
Awards:
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Building a Library, December 2005, Budget Choice
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JS Bach: Magnificat in D and Ich hatte viel Bekümmernis
RecommendedGreta de Reyghere (soprano), René Jacobs (alto), Christoph Pregardien (tenor) & Peter Lika (bass)
Nederland Kamerkoor & La Petite Bande, Sigiswald Kuijken
Awards:
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Building a Library, December 2013, First Choice
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Marvellously punchy and spontaneous... there is the thilling sense of risk in the whole performance which alerts the listener to the fun and colour of the Gershwin style... this collection is... — More…
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Awards:
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Gramophone Magazine, January 2003, Editor's Choice
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Lalo: Le roi d'Ys
Janine Micheau (Rozenn), Rita Gorr (Margared), Henri Legay (Mylio), Jean Borthayre (Karnac), Pierre Savignol (Le Roi), Jacques Mars (Saint Corentin) & Serge Rallier (Jahel)
Chœurs et Orchestre National de la Radiodiffusion française, André Cluytens
Lalo could only have dreamed of this cast. The sound may be boxy and the chorus muffled but Janine Micheau is sweet toned as the nice girl and Rita Gorr supreme as the wicked Margared. — More…
Awards:
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Diapason d’Or, July/August 2018, Collectionneur
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Rondeau’s responses to the music are, by-andlarge, reflective and notably free from superficial showiness. For the most part his tempos feel carefully considered and are well judged, and his... — More…
2 CDs
$21.75Downloads
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Awards:
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Gramophone Magazine, September 2003, Editor's Choice
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…I enjoyed the A major, and was even more enthused by the D minor. …Capuçon and Nicholas Angelich are absolutely inside the music, completely responsive to the play of expressive light and... — More…
Awards:
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Gramophone Magazine, November 2005, Editor's Choice
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