Erato
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Berlioz: Les Troyens
Régine Crespin (mezzo-soprano), Marie-Luce Bellary (contralto), Lucien Vernet (bass), Guy Chauvet (tenor), Jean-Pierre Hurteau (bass), Gérard Dunan (tenor), Jane Berbié (soprano)
Chœur du Théâtre national de l'Opéra de Paris, Orchestre du Théâtre national de l'Opéra de Paris, Georges Prêtre
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Mozart: Vesperae solennes de confessore & Coronation Mass
Sandrine Piau (soprano), Renata Pokupić (alto), Benjamin Bruns (tenor) & Andreas Wolf (bass)
Accentus & Insula Orchestra, Laurence Equilbey
The Insula Orchestra show themselves to be fleet and colourful (with superb oboe from Jean-Marc Philippe). The Accentus choir demonstrate once more their unity and dynamism but suffer a little... — More…
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Handel: Organ Concertos, Op. 7 Nos. 1-6, HWV306-311
Bob van Asperen (organ), Orchestra of the Age of Enlightenment
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For once, Biondi plays things fairly straight… but that is not to say that there is any lack of energy or fire. The first movement of RV566 scoots along with delicious bustle and elsewhere... — More…
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Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23, etc.
Jean-Bernard Pommier (piano)
Hallé Orchestra, Lawrence Foster
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Pachelbel’s Canon & Other Baroque Favourites
Taverner Consort Choir & Players
Boston Early Music Festival Orchestra, Andrew Parrott
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Music for Bass Viols
Jérôme Hantaï (basse de viole), Pierre Hantaï (clavecin) & Kaori Uemura & Alix Verzier(basse de viole)
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French Opera Arias
Works from Saint-Saëns's Samson et Dalila & Massenet's Werther
Denyce Graves
Orchestre Philarmonique De Monte-Carlo, Marc Soustrot
Denyce Graves has made the role of Dalila very much her own in recent years and the two arias from Saint-Saëns's opera are among the best things on her showcase recital, recorded in 1993. Two... — More…
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