Erato
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Fray's touch is exactly nuanced, its technical control aristocratically poised, produces sonorities of irresistably pellucid light and shade. And his rhythmic vitality is acute. — More…
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If Rorem's songs aren't as well known as those of Copland or Cole Porter it's probably because they're more difficult to sing. The earliest here is from 1947 (The Lordly Hudson, on a poem by... — More…
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Bach, J S: Mass in B minor, BWV232
Barbara Schlick, Catherine Patriasz, Charles Brett, Howard Crook & Peter Kooy
Chorus and Orchestra of Collegium Vocale Gent, Philippe Herreweghe
A medium-scaled performance, with fine soloists and delicate, contemplative choral singing. Rhythmically well-sprung, though with some weighty tempos. — More…
2 CDs
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Sibelius: The Maiden in the tower
Solveig Kringelborn (soprano), Lars-Erik Jonsson (tenor), Lilli Paasikivi (mezzo-soprano), Garry Magee (baritone)
Ellerhein Girls’ Choir, Estonian National Male Choir, Estonian National Symphony Orchestra, Paavo Järvi
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Their ride to the abyss [in Death and the Maiden] is surely the fastest on disc. Yet this is no mere technical stunt. Imaginatively coloured, uncommonly wide in dynamic range, the Arod’s playing... — More…
CD
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Mussorgsky: Pictures at an Exhibition & Prokofiev: Symphony No. 1
Orchestre de l'Opéra National de Paris, Philippe Jordan
The playing [in the Ravel] is excellent...but the rough edges have been sanded away to such an extent that what's left is pebble-smooth...the Classical Symphony is played with panache, the glossy... — More…
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